draft
[update as of 2/2/2016. We now have two very impressive comments by friends telling me that this endeavor is hopeless and to do something better with my time. While I do not think that they completely understand my vision (ahem) I am probably going to take their advice. This is bitter tea for me as I have invested a lot into this already. A total waste of my time?]
So based on the reaction I have received so far to my posts on the SIGGRAPH EC, there is absolutely no interest among my friends to support my campaign or to think that this is a good idea shared by many people.
That is actually what I suspected, and what I have thought for a long time. It fits several potential models of human behavior and while disappointing, none of this is a surprise. Either people do not give a fuck about the misery of their fellows and what SIGGRAPH does or does not do about it, or people care as long as they do not have to do any work, including commenting on it in any way.
So far I have one friend who encourages me, and one former SIGGRAPH big wig who is very nice and encouraging and who grubs up information for me that is otherwise hidden by the mysterious SIGGRAPH cartel.
The problem is, without support I am not going to do this. I am tired of being the abused tool of people who want change but dont want to inconvenience themselves to get it. There are more important things to do in this world.
But this is an early response. Maybe there are people who are reading my blog who need time to get the word out and generate a response. If so, do it now, please.
I could not be more cynical about the computer animation community, however.
How could I have fallen in with such a selfish, anti-intellectual and amoral group?
What the fuck was I thinking?
PS You will note that the formatting of this post is different from all other posts, mostly, on this blog. This is because of an ancient bug in Blogspot which has never been fixed and never will be fixed. I do not have the energy to try and get around it any more. You will just have to read my blog for its content, if anyone reads my blog at all, and not for the formatting consistency. I like Blogspot, its free and its useful, but it is far from perfect and issues like this are part and parcel of using it.
Showing posts with label Write-In Campaign for ACM SIGGRAPH. Show all posts
Showing posts with label Write-In Campaign for ACM SIGGRAPH. Show all posts
Monday, February 1, 2016
Sunday, January 31, 2016
Notes on my Write-in Campaign for the EC of ACM SIGGRAPH as of January 31, 2016
draft
As
many of you know, I have been trying to influence the Executive
Committee (the EC) of ACM SIGGRAPH for many years, and as you may
also know, I have been a complete failure in doing so. Apparently
SIGGRAPH at the national level is a tightly-held cartel of “right
thinking” individuals and no one else is welcome.
I
have written many posts on my blog (www.globalwahrman.com)
about what the issues are and what I would do, and if you would like
that background the two most relevant posts can be found here where
I discuss my campaign platform and here which
is the first post from 2012 that started this effort.
As
SIGGRAPH has ignored my request for information such that I could try
a write-in campaign for the EC for this year, why we simply push it
off to next year and see if they ignore me as well for next year. They
can do this indefinitely, and I will still be here, trying to be a
voice and being ignored and abused (or at least, that is my point of
view, I bet that the EC might have another view of the same events).
But
one thing has changed, I no longer feel that I have the resources to
do this on my own. Choosing computer graphics & animation as a
career has without doubt destroyed my life and impoverished me, and
if I am going to do “the right thing” and basically do more
charity work, then I need to be minimally funded.
I
was originally planning to use the referendum of getting appropriate
write-in signatures as indication of support, but I now think that I
will see if I have support for this by seeing if people want to fund
me. If insufficient people want to fund me, then that is a clear
statement that I do not have such support and I will drop it. Believe
me, if I had the money I would do this on my own, but I dont.
So
I will review and assess what I think the minimum budget of this
not-for-profit charity endeavor will be, see if it needs to be
registered as a charitable organization or whether it can be done
informally (and thus save quite a few legal fees) and then put it up
as a www.kickstarter.com
project or via another service if one appears more correct for the
kind of project this is.
You
could do me a favor by reading the background on this effort and
forwarding off a link to this to as many people as you think might be
interested. And do the same thing again when/if the
Kickstarter/whatever project is initiated.
Is
this worth our time and money? I am not sure, but it might be. We
will let people vote on how worthwhile they think it is with their
comments, if any, and with their wallets on Kickstarter when/if that
project is initiated.
Thank
you.
Saturday, January 30, 2016
My Platform Should I Run for the Executive Committee of SIGGRAPH
draft
For many years I have attended the national conference of SIGGRAPH and been amazed that as far as I can tell the conference is totally unaware that there is vast unemployment in this field and that those who have managed to continue working have had to move overseas to do so. Yet SIGGRAPH keeps on pushing the field as a sensible one to go into without knowing or caring whether or not these new people will be able support themselves or their families by doing so.
I happen to also believe that computer animation is unusually blessed or cursed with the intangible glamour of the various entertainment industries which acts as a lure to the unwary. (1) I can tell you that when I made the choices to go into this field I had no idea, no one told me and I did not understand, that I was going into a niche industry and very likely would experience long periods of unemployment. Had I realized that, I would not have gone into this field. Such a choice would have been completely irresponsible on my part.
And yet we keep on encouraging young people to go into this field without a hint of caution even though we do not even know the size of the disaster that has already occurred. I believe that this is both irresponsible and morally wrong.
After years of complaining and trying to figure out how to change things I came to the conclusion that the only way to be heard was to become a member of the Executive Commitee of ACM SIGGRAPH (the EC). Although the EC is nominally elected by the membership of SIGGRAPH, in reality to be allowed to run for the EC one must be approved by the Nominating Committee and the Committee lost no time making it clear to me that they had no interest in my contribution.
There is however in the By Laws of ACM SIGGRAPH a provision for write-in candidates to be nominated and were I to wish to persevere it would be through this mechanism. Unfortunately, the details of this mechanism are undocumented as far as I can tell, but a friend has done a lot of work and seems to be able to extract the needed information from the relevant people.
I happen to also believe that computer animation is unusually blessed or cursed with the intangible glamour of the various entertainment industries which acts as a lure to the unwary. (1) I can tell you that when I made the choices to go into this field I had no idea, no one told me and I did not understand, that I was going into a niche industry and very likely would experience long periods of unemployment. Had I realized that, I would not have gone into this field. Such a choice would have been completely irresponsible on my part.
And yet we keep on encouraging young people to go into this field without a hint of caution even though we do not even know the size of the disaster that has already occurred. I believe that this is both irresponsible and morally wrong.
After years of complaining and trying to figure out how to change things I came to the conclusion that the only way to be heard was to become a member of the Executive Commitee of ACM SIGGRAPH (the EC). Although the EC is nominally elected by the membership of SIGGRAPH, in reality to be allowed to run for the EC one must be approved by the Nominating Committee and the Committee lost no time making it clear to me that they had no interest in my contribution.
There is however in the By Laws of ACM SIGGRAPH a provision for write-in candidates to be nominated and were I to wish to persevere it would be through this mechanism. Unfortunately, the details of this mechanism are undocumented as far as I can tell, but a friend has done a lot of work and seems to be able to extract the needed information from the relevant people.
Were
I to run a write-in campaign for nomination, I would need approximately 70
signatures of people who were both current members of ACM and of
SIGGRAPH. Those signatures would have to be on a form that is of yet
undefined and whose original is provided on paper, as I currently understand it.
The number of signatures would not have been a problem "back in the day", but now most of the people I know who work or have worked in computer animation are not, to the best of my knowledge, members of SIGGRAPH as SIGGRAPH has worked very hard to make itself completely irrelevant to the production community. It may be one of the ironies of this campaign that I am able to get a dozen or two "new" members for SIGGRAPH as most of the people I know who would support me in this foolish endeavor would have to become members to do so.
Why
should you bother to go through this trouble merely to make me
eligible to run for a “position at large” on the Executive
Committee? In other words, even if the write-in campaign is successful, I would still have to run for election. The best answer I can give is to itemize what my
platform would be should I run for office and let you decide for yourself.
Let
me preface these platform notes by saying that many people I have talked to who are more knowledgeable than I am about how SIGGRAPH at the national level actually works believe that there is either (a) nothing
SIGGRAPH can do in any of these areas and/or (b) SIGGRAPH should not
even try.
Let
me also note that apparently the EC of SIGGRAPH thinks that it is not important that several thousand people (the number is
unknown) who were undoubtedly encouraged by SIGGRAPH to make the questionable choice to go into this field. I would be a minority of one on the EC and likely have very little or no influence.
I would however be a voice for the disenfranchised and be certain that their plight was at least discussed at least to some small extent.
I would however be a voice for the disenfranchised and be certain that their plight was at least discussed at least to some small extent.
So were I to run, I would run on the following platform (certain to be revised).
1.
To the extent possible, see to it that the program and events of
SIGGRAPH do not encourage people to go into this field without a good
understanding of what the possibility of employment in this field is.
2.
To the extent possible, attempt to understand what the real
employment in the fields associated with SIGGRAPH actually are and
what the current unemployment is.
3.
To the extent possible, make it possible for those who have dedicated
a substantial portion of their career to this field are enabled to
attend the national conference. The current rules and procedures do
not in any way go far enough to permit this.
4.
To the extent possible, make allowances for those who are unemployed
or economically challenged have access to the full body of SIGGRAPH
publications without fee or at a reduced rate.
5.
To the extent possible, address the issues of ageism in computer
animation, at least by having reminders at relevant conference events
of the illegality of ageism as it applies to employment.
6.
To the extent possible, attempt to assess the amount of hardship
caused by the off-shoring of computer animation production to other
countries and what remedies there may exist for this.
7.
In the likely event that no suitable remedies exist for the problem
of 6, to the extent possible see what can be done to train members of
SIGGRAPH for other fields where employment is possible.
8.
To the extent possible, encourage and try to organize outreach
programs to try and encourage industry to create jobs that need the
skills that computer graphics and animation provides.
A few more points and then we will wrap this up. It is not clear to me that
I can afford to be a member of the Executive Committee should I be
elected since I am so chronically un- and under-employed. However,
we can probably cross that bridge when and if we get there, and
something can probably be worked out.
It is equally unclear to me whether my efforts would result in any tangible benefit to anyone and whether or not it would be a good use of my time.
______________________________________
1. One year SIGGRAPH has a panel celebrating 25 years of Rhythm and Hues. The next year R&H is out of business, 1000 people are dumped on the street, and SIGGRAPH says nothing. Dreamworks lays off all of their Nothern California studio, but SIGGRAPH does not notice or mention it. Last year, SIGGRAPH had a presentation about 30 years of ILM. Not a word about all the people ILM has laid off as they downsized. A young person attending SIGGRAPH might draw the conclusion that this was a glamourous and rewarding field to be in and that unemployment was not an issue. Pixar is huge, right? It never lays off people, right?
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