Showing posts with label American Museum of Natural History. Show all posts
Showing posts with label American Museum of Natural History. Show all posts

Friday, October 30, 2020

Shinae Tassia -April 22, 2017

 draft

My worst suspicions were confirmed when I heard today that my friend, Shinae Tassia, who had disappeared on me several years ago and known to be in bad health, passed away on April 22nd of 2017. 

Abandoned in Seoul Korea when a few days old, she was adopted by a Sicilian family in this country. She ran away and lived in Central Park when she was informally adopted by a (gay) couple in Brooklyn. I knew her from the American Museum of Natural History where she was on the systems team. A friend there told me that she was probably of Romulan origin. I found the waves of anger that were visible around her to be very appealing. 

Good bye, Shinae.




Saturday, October 4, 2014

A New Star Catalog is Always a Cause for Celebration


A new star catalog is always a cause for celebration. Anyone who does more than dabble at astronomy visualization realizes that it is getting ahold of the data that is the sine qua non of serious work.

And yet getting the data is just the first of your many challenges. Very soon after downloading the data you will realize that one needs to have done some advanced study in astrophysics and/or have the services and advice of an astrophysicist or two in order to get anywhere. Without one or the other or both, the would-be visualizer will soon feel that he or she is lost in the forest on a moonless night.

But getting the data is the first necessary step, so it was with great pleasure that I read about the newly announced star survey with the catchy title of The second data release of the INT Photometric Hα Survey of the Northern Galactic Plane (IPHAS DR2)

And what is in this fabulous new survey?
The INT/WFC Photometric Hα Survey of the Northern Galactic Plane (IPHAS) is a 1800 deg2 imaging survey covering Galactic latitudes |b| < 5° and longitudes ℓ = 30°–215° in the r, i, and Hα filters using the Wide Field Camera (WFC) on the 2.5-m Isaac Newton Telescope (INT) in La Palma. We present the first quality-controlled and globally calibrated source catalogue derived from the survey, providing single-epoch photometry for 219 million unique sources across 92 per cent of the footprint. The observations were carried out between 2003 and 2012 at a median seeing of 1.1 arcsec (sampled at 0.33 arcsec pixel−1) and to a mean 5σ depth of 21.2 (r), 20.0 (i), and 20.3 (Hα) in the Vega magnitude system.

And so forth.

There are 219,000,000 unique sources in this survey. That is quite a bit more than the 10K star Yale Bright Star Catalog that we all grew up on. (1)

And yet there are certain similarities when you look a bit closer.   Certain subtle indications that suggest that the compilers of this fabulous expanse of data are adepts of the esoteric knowledge of astrophysics and that this data is intended for other members of this elite group.

In order to brace you for the tasks to come, should you decide to take on the challenge of visualizing this august data set, this post will present some first principles that are important for someone from the world of 3D as they step into the galaxy of creative decisions to be made and the arcane knowledge to master before the images latent in this esoteric compendium will be revealed.

I myself was first introduced to this knowledge during my brief but rewarding tenure on the Digital Galaxy Project portion of the rebuild of the Hayden Planetarium at the American Museum of Natural History in New York City.   Everyone on that project was a dedicated idealist with stars in their eyes.(2)

Because, you see, this dataset, like most astronomy datasets, is not intended to be for computer animation people. It is first and foremost to help scientists in the field, both those associated with the survey itself and those in the larger field of astrophysics, do their research. If people want to use it to “visualize the data” or make interesting pictures, that is all well and good, but that purpose is much further down the list of intended uses.




If we want to visualize the night sky what information would we ideally want? Well, we might want the 3D position of the stars, the brightness of the star, the color and presumably the type of star, as well as information about other objects in the sky that are not stars. This is a short list, there are actually many other things one might want to know for visualization purposes, but lets stop here. Ironically, a normal star survey or catalog does not generally have any of this information. At least not directly.

That is because what scientists are looking for in a star survey are the facts as they were observed. They may also be interested in your interpretations of the facts, but first and foremost they are interested in the data and how it was collected.

That means that instead of the 3D position of the “star” which we do not observe directly, except in a few exceptional cases, what the star catalog has is the position of the star as observed from earth on an imaginary 2D spherical coordinate system, a virtual sphere around the earth. In other words, the catalog does not say where the star is, but rather what direction it was observed to be from earth. The survey does not contain how bright the star was, or even if it was a star, but rather the spectra and intensity of the energy source as observed with the specific instrument. From that spectra, and from other information about the source of energy, one can deduce the type of star it probably is, but that is an interpretation of the data, not the data itself.

The star catalog or survey will not report the “color” as one normally thinks of such things, whether in RGB values, or CIE or other systems, but rather what was observed by the specific instrument or instruments used to collect the information. From the information in the catalog and the operating characteristics of the sensor one can derive spectra and from that a handy “color” in the visible bands if one so desires.

Nor is there any particular guarantee that the catalog is comprehensive, in some normal sense of the word. The authors of the catalog are not guaranteeing you that this survey contains all possible “stars” in the sky, or part of the sky. Instead what they are reporting here is the information about what they observed, and often some measure or estimate of how complete it is. The famous Messier catalog is not a complete list of anything, except the list of objects that Messier did not want to be bothered with anymore in his search for comets.

In a similar fashion, the data does not tell you how bright the star actually is, if it is a star, but tells you the intensity of the source as observed from earth. Again, an astrophysicist has various techniques to convert the apparent magnitude of the source to the absolute magnitude, if that is what you need.

The new star catalog has 219 million unique sources which may or may not be stars, and a variety of information about each, including some derived information (e.g. a probability that the specific source is indeed a star).

But it won't tell you anything about ISM (interstellar media), H2 regions and so forth.

When downloading the data, you can choose to download prepared datasets of the survey, or you can choose which data fields you want to review.  There are 99 different fields, and a dozen or so different formats you can get them in.  Just getting the data will probably take several days.

This post is the tip of the iceberg of what you need to know to do visualization from astronomy datasets but we will reserve these other topics for later posts.

The announcement can be found here

The database can be found here

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Notes

1. The Yale Bright Star Catalog is a famous dataset of the 10,000 or so brightest stars visible from earth. These are the stars that one could typically see from earth on a clear night with the naked eye from somewhere on the planet. It is a famous catalog in part because it was widely distributed even in days before the Internet or the Arpanet.

2. There were many, many people on this project which was part of a much larger project to rebuild the Hayden Planetarium and the entire north side of the American Museum of Natural History. Many people thought we were from Mars.  The cast of characters included such luminaries as Dennis Davison, Neil deGrasse Tyson, Carter Emmart, Frank Summers, Aram Friedman, Loretta Skeddle, Julio Morano, Benjy Benjamin, Ron Drimmel and many others.  And of course, your humble author, was also briefly a consultant on this project. 



Saturday, July 20, 2013

Shinae Tassia in New York


Shinae in New York City looking enigmatic.   The dots on the window that look like water marks on the photograph are actually rain drops on the window of the taxicab.   Shinae is my favorite person of Korean-Sicilian descent and worked at the time for the Museum of Natural History in New York.




Shinae wore her first dress (she tells me) to the opening of the Rose Center / Hayden Planetarium at the American Museum of Natural History on the fake millenium, Dec 31, 1999.   As we were walking around the museum we were suddenly circled by an older gentleman looking completely perfect in a tuxedo and his long-suffering wife/girlfriend, taking dozens of photographs of us.  He was obviously a professional photographer and as he documented Shinae,  he exclaimed "Like a flower!  Like a beautiful flower!  How Lovely!", etc.   As fast as he had appeared he started to fade into the darkness at the Museum.... I called after him and asked who he was with.

He answered from a distance fading away "I'm with the Times ...".   He was, apparently, the very well-known society photographer for the NY Times.

If a picture of Shinae had appeared in the society pages of the NY Times all the other women at the Museum would have plotzed in envy.  

No such photograph ever appeared to the best of my knowledge.

[Scott Anderson suggests that this might have been the famous Bill Cunningham, and it might have been.  I am checking with someone who knows].


Sunday, March 17, 2013

Neil deGrasse Tyson and the Importance of Science Education



While we are on the subject of science education, c.f. the post on "Giant Intelligent Vegetable on Mars", I am happy to see that my friend Dr. Tyson is doing his job and speaking out about the importance of science and the importance of funding science and science education.

A recent NY Times article has an interview with Dr. Tyson in which he spins the recent meteor strikes into an impassioned plea for more science funding.

One of the many fringe benefits of working at the Hayden Planetarium many years ago was to be able to work with the many idealists at the American Museum of Natural History (AMNH), first among them being Neil deGrasse Tyson.

Neil is unlikely to use the word "motherfucker" in public.

To give you one example of this idealism, and because it always makes me laugh, at a meeting about the Digital Galaxy that we were building for visualization, the project leader, Dennis Davison, asked what measures we were taking to insure "the integrity of the data".   We hardly ever talk about the "integrity of the data" when working on Zombie movies or blowing up planets, generally speaking.

It is a slight exaggeration to say that Neil's job is to be public and get kids (and adults, but mostly kids) excited about science.  And he does this really well.  Part of the secret to his success is that he is completely sincere in doing so.  He thinks science IS important, and he thinks science education is very important and he charges out there in public and uses every opportunity to say so.

When the Hayden was being rebuilt and the AMNH was racing towards its end of the fake Millennium deadline, Neil engaged in a dialogue to have the AMNH create a small astrophysics department.  What you may not be aware of is that there have been almost no new astrophysics departments in this country since the great expansion in the science in the 1950s as part of the Cold War and the Space Race.   The AMNH was not jumping up and down about adding more costs  to their overhead, but Neil insisted and he won.  The point is, the AMNH is the only organization in this country (that I am aware of) that has as its mission doing real science and communicating results directly to the American people.  In other words, their mission is not to train more graduate students, Universities do that, and the AMNH has a good relationship with Columbia and many other schools.  The AMNH's job is to do both research and direct science education to the general population.   Hence, if you have a Planetarium, you should also have an Astrophysics department.

Neil has an interesting background, the whole story of which I am not completely clear on.  But I do know that he went to the Bronx High School of Science, scholarship to Princeton, and is a living example of the promise of higher education to create opportunity for minority groups (although I suspect that Neil is something of a ringer in this regard).

Astrophysics is a very tricky field.  It is incredibly elitist and the field as a whole can be quite nasty, and I assure you that Neil's immense popularity wins him no friends in the field of Astrophysics.  But he is on a mission, he is one of the most recognizable people in NYC, and I assure you he is completely sincere.

By the way, Neil is unlikely to use the word "motherfucker" in public, but I thought that the above image of Neil making a point at some public forum was very funny, so I stole it from a post someone did on Facebook.

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American Museum of Natural History
www.amnh.org

Friday, September 28, 2012

The Deeper Meaning of the La Brea Tar Pits


Its easy to look at the surface of Los Angeles and miss a lot of, indeed, most of, its nuance and subtlety. To understand this city, you must dig beneath the surface, and when you do, you will probably find petroleum byproducts.

Petroleum is all over Los Angeles, it is at the center of a lot of the secret history of the town. One place to see Los Angeles' relationship to oil, at least symbolically, is at the La Brea Tar Pits.

The La Brea Tar Pits was part of the Rancho La Brea land grant and became Hancock Park in Los Angeles before the turn of the century. The name comes from the Spanish: la brea means "the tar" so "The La Brea Tar Pits" means "The The Tar Tar Pits".

Discovery of fossils happened in 1901 with more formal excavations in 1913-1915. Intermittent excavations have happened since then, most recently in the last few years as they excavated for a new parking facility for LACMA (Los Angeles County Museum of Art) but other than that they have been mostly inactive for decades. In these excavations they have found the fossilized remains of bison, mammoth, sloth, bears, lions, tigers, saber-tooth tigers, vultures, eagles, deer, falcons, a huge number of dire wolves and one human, a Chumash lady, killed by a blow to the head with a blunt instrument and pushed into the pit many thousands of years ago.


Image by Charles Knight for the American Museum of Natural History in NY.

They built a nice museum to hold the remains of the bison, wolves and Chumash lady, the Page Museum, and its the best place I know to buy your Giant Sloth hand puppets. The Chumash lady is no longer on exhibit because the Chumash quite reasonably felt it wasn't very dignified. She is still there if you know where to look, however.

But there is a deeper meaning to the Tar Pits, a darker meaning: one that is not appropriate for the Page Museum.

Some people believe that the La Brea Tar Pits are a metaphor for life in Los Angeles.

To see this, imagine life 10,000 or so years ago. We are in the arid valley that one day will be Los Angeles. It is not a desert but it is very dry.  Arroyo might be the more appropriate term.  There appear to be some pools of water.


Notice the oil wells discreetly in the background of this picture of the Tar Pits

A little deer comes to the edge of what she thinks is a pond to drink. Her mother is nearby. Delicately stepping to the pond, the deer discovers that her foot is stuck in the tar and she can not get out. This is not a pond, of course, this is the La Brea tar pits. She calls for her mother who tries to help her, but in doing so, also gets caught in the tar. All their struggling just makes it worse: they sink deeper into the wretched tar. Now they look closer and see the bodies of other animals that have gotten trapped by the fake pond and who have died and are half-buried in the muck all around them. A dire wolf hears their struggles and comes loping over, sensing an easy dinner. They struggle but they are no match for the vicious dire wolf, but now, ironically the wolf is also caught in the tar and desperately struggles to get free.  A sabre-tooth tiger seeing their dead and rotting bodies comes to scavenge but gets trapped as well. Later the same thing happens to a vulture and other scavengers.

Driven by greed to exploit the innocent victims of a cruel and sticky trap, the opportunistic predators are themselves trapped, and the predators of the predators as well. They become a horrifying, rotting, collage of death, some dying in the act of trying to devour the others and, covered with the filth of petroleum byproducts, they sink into the bottomless pit, forever lost from sight, destroyed by their greed.

Very little has changed in Los Angeles since then.


Revised 1/15/2013
Revised 10/11/2013

Saturday, September 8, 2012

Macy's Thanksgiving Day Parade Setup


It used to be the thing to do to go to the Museum of Natural History the night before the Macy's Parade and watch them set up, which would involve, among other things, a bunch of really large balloons on their backs being inflated.   Now it has been discovered, and it is a tourist thing, and real NYers stay away, I am told.  This happens on 79th and 81st street, between Columbus and CPW.   


This picture would be from the late 1990s. For those who are unaware of the capabilities of various high speed black and white films, I have enclosed a detail from this picture which, if you look carefully, shows good detail inside a utility room inside the building.     I doubt it was handheld, so the camera had probably been stabilized on some available geometry, such as a mailbox or fire hydrant.  


Whenever I think of this event, I remember the first time I saw it, before it was discovered, and an embarrassing celebrity moment that occurred. This would have been in the late 1970s or early 1980s and a few years after Annie Hall (1977) had come out, and the "Annie Hall - look" was an identifiable fashion trend.   Diane Keaton actually dresses that way, one heard, and so Woody Allen just incorporated it into the movie.   So that night, watching the balloons being inflated, I saw across the street a particularly egregious case of someone dressed up to look like Diane Keaton in full Annie Hall regalia. After a while, I figured out it was Diane Keaton and I should stop staring at her.  Its impolite to stare, anyway.


Saturday, August 18, 2012

Squid Move Postponed


When I lived in NYC, I had the opportunity to work at the American Museum of Natural History as they were building the new Hayden Planetarium. This was also part of the NASA Digital Galaxy Project to build a map of our galaxy for visualization purposes, which will be the subject of later posts.

I have noticed that every interesting project will also have an interesting meeting, memo, whatever that seems to capture the spirit of a project, or of a place.  This project had many such events, memos, etc, not all of them fun.  But the following email, written here from memory, was one of my favorites.  When I received it, I forwarded it without comment to about 10 of my friends and, unusually, I got a response from every one of them.   One of my friends thought at first that the email was about a "squid movie" that had been postponed.

The name below is made up, I do not remember the name of the person who originally sent it.


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To:          all-amnh
Subject:  SQUID MOVE POSTPONED
Date:       July 11, 1999


Due to circumstances that were not entirely foreseen, the giant squid will not be moved on Friday as originally planned.


                     Sincerely, 

                     Rebecca Swanson

                     Research Associate
                     Department of Invertebrates
                     American Museum of Natural History

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Smithsonian Article on the Giant Squid

The American Museum of Natural History