Vocabulary in the Age of Trump

draft

Words to know in the time of plague and the collapse of our government and our society:

-- supine, n. failing to act or protest as a result of moral weakness or indolence

-- boogaloo, n. right-wing term for a coming civil war

 

Further Issues With Hiring More Experienced Workers (MEWs)

[updated 7/27/2013]

In a previous post (see here), we discussed issues that may become apparent when you hire a more experienced worker, or MEW as they are known in the literature, such as their tendency to fail to fall for your lies and a stupid desire to learn from experience. These are bad enough, but there are others that can be added to the list and we have some of them here.

I should first mention that not all experienced workers suffer from these character flaws, but the very possibility that they might should be enough to see that MEWs are never hired.

1. More experienced workers tend to mutter to themselves.

After all they are subjected to the most obvious and abusive ageism by your younger workers on a daily basis, they are likely to have some sort of verbal response. This is unacceptable and any MEW that mutters to themselves should immediately be fired.

2. More expereinced workers tend to exhibit diversity in opinions and ideas.

The most efficient workplace is one in which there is no dissent because the workers are cut from the same conforming cloth, everyone knows that. Unanimity should come not through discussion of the best approach, but because the worker units believe that there is only one way, their way, what they have been programmed to believe, thus they can proceed without discomfort or thought. By having more experienced workers who may know other ways or have contrary opinions based on genuine experience, you potentially open your organization to inefficient discussion and debate.

Remember, debate is weakness. Unthinking unanimity is strength!  

3. More experienced workers after being subjected to abuse might show some sign of anger at being treated like garbage.

Any who do so should be fired at once. Management should have no fear of being subjected to any penalty by government because the government supports ageism in all ways, that is obvious. Thus MEWs can be fired with impunity.

4. An MEW might be better educated than the "stupid morons" (1) companies hire as management and thus this management might suffer from insecurity which might affect their ability to be stupid.

Imagine the poor 20 or 30 something management, stupid and shallow as they are, spitting teeth in frustration if they had to deal with a MEW who might actually use a big word that our stupid management did not understand. Oh Gods! Forbid this gross unjustice !

I think we have established without doubt that our government is right in supporting ageism in all its forms and that an older and more experienced worker must never be hired.

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1. A "stupid moron" is an innovative personal insult and a colloquialism that is not in common usage in English, but was innovated by the author to communicate a higher degree of "moron"-icity than one might normally experience.   English is a Germanic language and it is a natural part of the language process to create new terms from existing words to extend the language.   Thus "stupid moron" is obviously a way of saying "a particularly unintelligent person of low intelligence".

1st Baron Bulwer-Lytton Writing Contest

The Bulwer-Lytton Writing Contest is a competition to write the worst possible opening sentence of a novel, in a homage to Bulwer-Lytton, one of whose novels began with the infamous "It was a dark and stormy night ...". (1) Any such sentence should be florid, dramatic, and disconnected.

This is not the novel that had the famous sentence, this is another novel of Bulwer-Lytton about the Rosicrucians.

My friend, Steve Speer, in NYC believes that Bulwer-Lytton has been swept under the rug of history, and does not get the recognition that he deserves.  And so, in his honor, I have written my first attempt at a Bulwer-Lytton-like opening sentence.

I can not tell you with what loathing I approach the disagreeable task of presenting to you, against my will, the events leading up to the disaster which you all know so well, which even now brings the taste of failure to my mouth as I write on this bitterly cold and windy morning on the desolate island of my exile, abandoned by all society and left to an undeserved and miserable fate.

[Modified per anonymous's suggestion on 1.23.2013]

Read about the Bulwer-Lytton Contest here:

http://en.wikipedia.org/wiki/Bulwer-Lytton_Fiction_Contest

The contest itself is here:

http://www.bulwer-lytton.com/

The Wikipedia page on 1st Baron Lytton is here:

http://en.wikipedia.org/wiki/Edward_Bulwer-Lytton,_1st_Baron_Lytton

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1.  The sentence in its entirety, is "It was a dark and stormy night; the rain fell in torrents, except at occasional intervals, when it was checked by a violent gust of wind which swept up the streets (for it is in London that our scene lies), rattling along the housetops, and fiercely agitating the scanty flame of the lamps that struggled against the darkness." It is from the novel Paul Clifford by Bulwer-Lytton first published in 1830.

Michel Gondry and "Come Into My World" (2002)

Dennis Muren said, the problem with special effects is that it is not special anymore.

Although true, there are a few cases in which raw talent can take an old idea and make it new again. These talented people are so annoying that they may show off more than once and do several brilliant films in a row thus making themselves all the more hated by the rest of us.

Michel Gondry is such an annoyant (1) that he has done at least three of my favorite music videos (aka music promos) of all time, and all three are among my favorite short films.  We discuss "Come Into My World" here and the other two, "Let forever be", and "Like a Rolling Stone", another day.

Four Kylies and one Gondry showing off in Come Into My World (2002).  In the terminology of Zoologists and Bird Watchers, I believe that Ms. Kylie here can be said to be "displaying".

Unusually for the genre, the first minute of this four minute piece is a complete setup and doesn't reveal what is really going on until 1:07.    The first time I saw Come Into My World (2002), I innocently watched it, wondering what was great about this, "So she is walking around in a city in Europe somewhere.  So what?"  Then boom, at 1:07 the second Kylie picks up her dry cleaning and I thought to myself:  Wait, stop that, what just happened?

Even more astonishing, this tour de force of special effects takes place without a single giant robot or exploding zombie.  How could that be?

Things to look for as you refresh your memory about this film include (a) who drops and who picks up the pink shirt and how many pink shirts are there by the end, (b) the additions each time around of colorful people in the background, e.g. how many beds are thrown out of windows, how many skateboarders, how many men in blue putting up posters, how many balancing boys in green, how many men arriving at a hotel, how many hostesses in blue leaving a note on the windshield of a car, how many people in red on ladders, etc, (c) the strategy for keeping the various Kylie's out of each other's way, (d) what the layered matte strategy must have been, and (e) do any of the Kylie's intersect, and if so, is it Kylie that intersects or the dry cleaning she is carrying? (2)

For those of you who are mathematically inclined, you may wish to contemplate how many times Kylie has to run around the block.   Poor girl, she was probably getting dizzy.

Finally, we may ask if there is some relationship between the audio layering of Kylie (other Kylie's are at various time layered on top of the main Kylie in the audio domain, e.g. she is her own chorus as well as responding to herself) and the layering of Kylies in the image domain.

At this point, the number of hostesses in blue and guys in red have multiplied to four

Students of the history of this technology will note the amazing difference in the capability between modern compositing and the original chemical blue screen process, as discussed in my previous post on Bye Bye Birdie here, in which a major point of discussion was the issue of a moving camera and the special restrictions on blonde and red hair.  Here we have a completely free camera and a lot of dirty blonde hair, and its not a problem.  Actually, a better way to put it is that here we have an avalanche of moving camera and a tsunami of flying blonde hair and it looks effortless.

Come Into My World on Youtube:

http://www.youtube.com/watch?v=MsCS5gdVqkE

Then after watching the film, you may wish to watch the making of documentary, below. Its up to you, I like it just the way it is and have a pretty good idea how it was done.

Raw talent, that's how.

In this case, I recommend not watching the documentary, however, but create your own plan on how you would make the film.   How you would cue the extras, how you would keep the Kylie's out of each other way (One might put a chalk mark on the ground for the path each Kylie should take with a different color for which cycle we are on (3), for example).

Making of "Come Into My World"

http://www.youtube.com/watch?v=Qw9FAxywDJ8

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1. We are proud at Global Wahrman to premiere a new word in the English Language. "Annoyant" means someone who annoys.

2. The answer is yes, I think so, maybe twice that I noticed a Kylie intersects with herself and I think there are times when the laundry will intersect, but they don't call attention to themselves and it all works fine, I think.

3. I haven't found them yet, but I am still looking.

The Run-on Sentence and Charles Dickens

You will have noticed by now that I am fond of run-on sentences and use them all the time, often with a sense of barely repressed glee. You have no idea how it used to irritate me to have my sentences corrected back in the day when anyone cared enough to try and correct me. Now they know better.

But I do realize, I mean, I am aware, that there are many out there in Internet-land who believe that this style of writing is wrong, also very wrong, and some people believe that it is also extremely and definitely very wrong.

Well, I just don't agree and for support I am going to call upon my friend the well-known writer Charles Dickens. This is from an essay he wrote in 1852 about the "Ragged Schools" movement in England of the time. I am sure you will agree with me that Mr. Dickens knows how to write English and that we should strive to emulate him in our own work.

I offer no apology for entreating the attention of the readers of The Daily News to an effort which has been making for some three years and a half, and which is making now, to introduce among the most miserable and neglected outcasts in London, some knowledge of the commonest principles of morality and religion; to commence their recognition as immortal human creatures, before the Gaol Chaplain becomes their only schoolmaster; to suggest to Society that its duty to this wretched throng, foredoomed to crime and punishment, rightfully begins at some distance from the police office; and that the careless maintenance from year to year, in this, the capital city of the world, of a vast hopeless nursery of ignorance, misery and vice; a breeding place for the hulks and jails: is horrible to contemplate.

Now that is a run-on sentence to be proud of.  I have a ways to go before I reach Mr. Dickens' level of excellence in this area.  But I will try.

If you don't know about the Ragged Schools, its a great story, and here is the Wikipedia page:

http://en.wikipedia.org/wiki/Ragged_school

The above quote is from an article written by Charles Dickens for The Daily News, published in 1852. See http://www.infed.org/archives/e-texts/dickens_ragged_schools.htm for the complete essay.