Showing posts with label photography. Show all posts
Showing posts with label photography. Show all posts

Wednesday, October 29, 2025

Christine Schoepf ( - 2025)

 

And so now my second friend from Ars Electronica passed away.  You can read my homage to Hannes by following the link.  These were the two people from Linz who I think of as creating Ars Electronica.  I did get in touch with Christine one last time perhaps a month ago.    I am very sentimental and it annoys me when they do this to me.  I thought about going to Austria for the memorial service but I cant afford it.


https://globalwahrman.blogspot.com/2021/02/hannes-leopoldseder.html



Tuesday, August 26, 2025

Jeff Kleiser & Coco Conn at Hotel Figueroa


At the Hotel Figueroa, at some SIGGRAPH, date unknown.



This photograph may already be on the blog, but if so, I am not sure where.


Monday, January 17, 2022

Academy Scitech Awards 2014

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The Academy Scitech Awards in 2014.   Two of these couples are sadly no longer together.  I am terrible at names, but of course this is Josh Pines, David Coons, Carlye, Nicky Kaiser and Rick Sayre.  I will get the names of the others and get back to you.




Tuesday, April 14, 2020

Picture from Benton Jew

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Many years ago, Benton Jew and Josh Pines came to town and I guess we all went to Griffith Park Observatory.  



Tuesday, January 28, 2020

Paul Rother & Mark Sylvester


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At a birthday party for a friend, I ran into Paul Rother (he recognized me!) and Mark Sylvester.  I havent seen Paul for a very long time.

There was a company there called MirMir all set up to take pictures with funny glasses (which are a clue).  Mark and Paul look shorter than me because they had to sortof kneel to fit into the picture.





At the party, one of the event photographers was named Madison and although she was shooting digital (of course) revealed that she had attended Brooks here in Santa Barbara and owned a Contax 645 medium format (film!) camera.  Thats just remarkable.

Thursday, January 16, 2020

Yayoi Wakabayashi and Harvie Branscomb

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The film that was thought lost and which had been in a refridgerator for over a decade covered in Reynolds Wrap was found, processed and scanned.  There are a number of different pictures that have sentimental value.  A few seem particularly entertaining.  These are from the time when Yayoi, Harvie and I went golfing in Escondido CA a long, long time ago.








Saturday, April 20, 2019

The Street Where I Live

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I have often walked down this street before.  But the pavement always stayed beneath my feet before.  All of a sudden I am several stories high, just to be on the street where you live.



Monday, March 25, 2019

Camera Purchase Notes 3/25/2019

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Too many choices, it is confusing and unclear which path to take. And be sure that whatever path you take (nearly) forever will your destiny be affected.

Intended use: generating imagery to support computer graphics (textures, macro photography, plates), also handheld available light photography, also low light architectural photography (urban archaeology)

Prime lenses only, shooting aperture priority, no flash, manual focus.  Probably a roughly 50 mm equivalent, a 21 mm equivalent, and possibly a macro lens.

Remote and programmable computer control preferred.  If a Fujifilm body, then possibly the two Zeiss lenses.  

 

Saturday, January 12, 2019

Street Photography and the Law

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In my three decades of street photography I have rarely gotten into trouble about it.  There are many reasons for this, but luck may have been one of them.  I recently did get into trouble so I am reviewing the various laws and conventions associated with photographing people in public.

Photography & The Law on Wikipedia
https://en.wikipedia.org/wiki/Photography_and_the_law

Photography in Public on Lifehacker  
https://lifehacker.com/5912250/know-your-rights-photography-in-public

Street Photography & The Law  
https://www.clickinmoms.com/blog/street-photography-and-the-law-7-things-you-need-to-know/

Saturday, September 3, 2016

Photoshop and the Ethics of Reverse Manipulation

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At this point we are all inundated with obviously and not so obviously faked images that have passed through a photoshop session.  What would Facebook be without a suitably cropped and modified photograph per day with some obnoxious political agenda attached? Even so, although our news media outlets are notorious for manipulating the news and evidence, there are some of us who would like to think that they keep it to a minimum and unconscious level.

But what happens when we have a news story with an attached photograph that is almost certainly, obviously modified?  Should it be used anyway, or modified, faked if you will, to be less apparently false?

Is lying allowed if it increases the likelihood that an otherwise true story will be believed?

We have a particularly egregious example in the photograph used in the Reuters article about a recently convicted arsonist, see German Man Convicted of Setting Dozens of Fires in Los Angeles.


Oh, those fiery eyes! 


This is an entertaining example of a photograph that looks faked for editorial purposes even if, by some strange chance, it turns out not to be faked  How likely is it that the alleged (and now convicted) arsonist should happen to get "red eye" in this circumstance?

Anyone looking at it, though, might reasonably think it had been modified, and therefore, perhaps it should have been modified, possibly for a second time, to make it appear less manipulated even if by doing so it was in reality more manipulated.  Or would this be even worse, hiding from the public as it were the evidence of the original modification?

For those of you interested in the history of manipulating photographs for evidence or political purposes and are unaware that it has a long tradition, you could do worse than start by reading David King's acclaimed book “The Commissar Vanishes: The Falsification of Photographs and Art in Stalin's Russia” which you may find on that great evader of Austrian sausage taxes, Amazon.com.




https://www.amazon.com/Commissar-Vanishes-Falsification-Photographs-Stalins/dp/0805052941

Believe it or else, this is an important topic in the aesthetics and practice of visual effects.  In visual effects we often have the problem that something  that is correct (either in real life or because our simulation says it is correct) looks wrong.  And in visual effects, something that looks wrong will not achieve its purpose with the audience and will call attention to itself in an undesirable manner.

Now on the other hand, if our purpose was to show our convicted arsonist had been possessed by the Devil, then this photograph, modified or not, would have been just fine.

Friday, August 12, 2016

270 Riverside Drive Apt 12A New York City


When I lived in NYC in the 1990s I was lucky enough to live in some spectacular apartments.This is all due to friends who welcomed me to New York and made it possible for me to stay there when by rights I should have had to leave. One of these apartments was on Central Park West in the upper west side.  The other was on Riverside Drive at 99 and Riverside.

This apartment was on the top floor of the building with a view of the Hudson from almost every room. It was, they tell me a classic eight (or seven?) with four bedrooms, three baths, a formal dining room, a living room, a study and my office (the former maid's room). One of the bedrooms was allocated for our guests, something that is quite rare in Manhattan where space is at a premium.

This apartment had been rent controlled for decades and the person who had the lease was very generous with those he sublet rooms to and I only had to pay my share of the total reduced rent. Ultimately he became a victim of his own pride in a dispute with the landlord and lost his lease so we all had to leave.  The place needed to be fixed up (it is an artifact of the rent control laws that such apartments are allowed to grow more decrepit) and I always wondered what it would rent for (or sell for if in a coop situation).

Thanks to the power of the bold, new Internet paradigm, we can easily find out. The apartment is listed on Zillow at about $6.8 million (see here for the Zillow listing).

If you look at the pictures in this listing, you would have no idea how completely wonderful this apartment is and what it was like to live there. Part of the reason for this is that they did not photograph the place to show you its environment and they made other mistakes as well.  Here are some photographs that may correct this impression and give a hint of the grace conferred on those who lived there.


View out one of the windows


On the street where you live


At night


Snow


Thursday, August 4, 2016

Fight Club, Richard Baily and the Subversion of Reality


It goes without saying that when a genuinely interesting movie comes out in America, that the film critics and media organizations will attack it and lie as hard as they can about what it is about in order to minimize the number of people who see it. That is the job of the media in our oppressive society. Whereas when we have a stupid movie like Avatar, everyone gets damp about it even though it has no content. So I heard for years that Fight Club (1999) glorified violence and so forth and so on and never had any desire to see it. Well I happened to see it the other day, and guess what, it has nothing whatsoever to do with what they said it did.

But we are not here to talk about content, or about the repression of truth, or about how shallow and superficial our civilization is. We are here to talk about something more important. Which is to say, visual effects.

What is the role of the artist? The role of the artist is to manufacture consumer products in order to maximize shareholder value of course. And it turns out that one artist that I knew quite well was the artist who blew up the buildings at the end of Fight Club. My friend Doctor Baily of Image Savant, under the direction of visual effects supervisor Kevin Haug and director David Fincher, blew up those buildings.


Richard "Dr" Baily of Image Savant


Furthermore, eschewing “photorealism”, that grossly abused and misunderstood term, the buildings blow up in a poetic and dreamlike fashion, thus contributing to the telling of the story. As we do not know if those buildings really did blow up, since by that time we are quite sure we do not know what is real and what is the perception of a disturbed individual.

And to do so a mere two years before the real buildings blew up at the World Trade Center! How wonderful for him, to have actually predicted and, symbolically at least, participated in the single event that has caused so much war and misery in our world.

Rarely does visual effects have such an impact.







Fight Club on IMDB


Wednesday, December 2, 2015

Zoltar and I


Taken by David Yost after the Stock Gaines Memorial Sercice.  We went from the service to the Santa Monica Pier to check on the current status of Playland.  Playland was in good shape.

I think this is a pretty good picture that Dave has captured because (a) Zoltar seems to be making eye contact, and (b) he captures my mood perfectly.



Saturday, November 1, 2014

Regional Political Correctness and the American Museum of Natural History


As part of low self esteem, I have noticed that my friends in San Francisco or Cambridge MA are by their very nature more in touch with the socially politically correct doctrines which are required for one to be accepted by certain elements of our elite society. When a friend in SF goes to the library, he goes to a union worker's library founded in the late 19th century. When he is involved in a bisexual S&M polyamorous relationship/s, I know that he is on the leading edge of socially correct behavior by his very nature. I am envious of this since I am a notorious stick-in-the-mud who does not even own a single pair of handcuffs.

This regional cultural diversity or sensitivity towards leading edge correctness has also been brought home to me by people who live in the Cambridge, MA academic circles. Their sensors are so finely tuned that they can sense an incorrect belief from hundreds of yards away and respond correctly, which is to say with the hot certainty of outrage at the presence of incorrect thought.

Other regions of the country bring other sensitivities and advantages. I noticed when I lived in NYC that I naturally had a much greater sense of what was happening in the finance community than I did living anywhere else. It was interesting, it wasn't necessarily practical information, but you just naturally heard things. You heard some anecdotes about the insurance industry after 911, and about the savings and loan crisis years before the controlled press bothered to mention it. In N. California any supermarket packer knows more about venture capital than most people in the world. In LA, we know more about what is going on in the glamourous motion picture industry and know intuitively that reward for merit and art-for-arts-sake is not part of the equation, generally speaking, but only happens more or less by accident when it happens at all.

I have an example that demonstrates this fine sensitivity to political correctness and also political incorrect blindness of these different regions of our country. In order to understand this example, I first have to explain a few things about an esteemed institution in the NYC area, the American Museum of Natural History (the AMNH).

NYers love the American Museum of Natural History. The local US Post Office Branch for Zipcode 10024 is proudly called Planetarium Station in its honor.  When I consulted for the AMNH almost every adult male I knew who grew up in the region volunteered the information that he had committed hookey (skipped a day at school) as a kid and spent the day at the AMNH and that it was very important to them that a certain exhibit (perhaps the weird marsupial third from the right) not be touched because it was their favorite. Neil deGrasse Tyson of the Hayden Planetarium was a local hero and celebrity in NYC years before the Cosmos reboot established him in the national consciousness.


Skeletons in the closet?  What do you mean?


Any institution that has been around for a while is likely to have a skeleton or two in the closet, but at the AMNH they really do have skeletons in the closet. Many closets in fact. No one inside would accuse the AMNH of perfection but NYers do not care.   The halo of their esteem protects this institution from criticism and for most NYers it can do no wrong.

At one point, I was “seeing” someone who worked in academia at MIT in Cambridge, MA. She would come visit me in NYC and of course I would take her to my local favorite institution, the AMNH. The museum earned her contempt almost immediately because so many of the exhibits there consist of a vast number of ethnicities described by a set of mannequins dressed in representative clothes and with a selection of artifacts, facts, food types, cultural descriptions and so forth. But “humans under glass” is not considered politically correct in modern museum theory, even though these older exhibits are very informative and also very low maintenance, which is a good thing. I used to direct people to our project offices at the museum by telling them to go to the Hall of the Ancient Murdered Peoples and turn left at the cold blue nomads.

But that is nothing compared to the first time she saw the front of the museum.


Teddy on his horse surrounded by his young fans in blue


At the front of the AMNH is a statue of Theodore Roosevelt which most NYers would barely even notice. Pres. Roosevelt had quite a bit to do with the history of the AMNH and had an office there when he left the White House. 1 His statue in front of the main entrance is of him on a horse looking bravely into the far distance and being followed by a Native American and an African on foot and walking a few respectful paces behind.

My friend from Cambridge did not get closer than 100 yards of this statue before she started fuming. She was no closer than 50 yards before she started all-but-screaming in outrage at this, well, outrage. This essence of non-political correctness. This racist, imperialist, oppressive example of American narcissism and cultural arrogance. The white man leading the colorfully dressed savages into the future of white oppression.

I tried to reassure her that the Museum understood her concern and that the statue as it existed was already an improved version.  The original version of the statue had the colorfully-dressed native people carrying Roosevelt's luggage and there were three of them, not two. The third was an orthodox Jew carrying the accounting books, but the Jewish lobby in New York was able to get him removed. The original slogan for the statue was “They Will Learn To Respect the Whip" but now it says something benign.

But all my efforts were to no avail and her mood never improved.


American Museum of Natural History
www.amnh.org


Notes

1. I have been in this office and it is very nice.   


Tuesday, October 28, 2014

Do Not Leave Those Naked Pictures of Yourself on Github


One of the not-so-entertaining results of our civilization's obsession with computing and cash is the "fuck our customers we don't care" approach taken by the consumer electronics and computing industry towards such things as systems administration, backup administration and security administration and its impact on our lives.  Now we are all forced to take on these dreary sub-specialties or face one of many horrible fates that this technology mania has brought down upon us: the wiped disk, the non-working backup, the zombie computer used by Chinese or Russian spies, or worse, the "hactivist" holier-than-thou swine ready to exploit your assets to mine Bitcoin or some other juvenile and anti-social goal for their self-appointed crusade.   We are all now responsible for these and many other tasks and woe unto those of you who think you are above such things for then your sins as documented by your iPhone will appear on social media and there you will be, in full color, engaging in some drunken bisexual orgy as an undergraduate for everyone to see just as you are running for your first political office or other responsible position.

Be warned, if you wish to avoid this or some other horrible fate, there are a few hundred things you need to pay attention to at any one time, although that list is a moving target. You have to know enough to keep yourself out of trouble.  No one else will do this for you. 

Many of us use Github as a repository for source code for our projects and collaborations. In the past I have used it off and on, but these days I use it more or less 7/24. As part of your repository, one could keep security strings that give access to various other resources that exist out there, such as the Amazon cloud. A friend did just that and forgot about it. Although he certainly knew better a few years later he made that repository public (it was either that or delete it, he wasn't working on that particular idea anymore).

Well his repository contained security information for his cloud account on Amazon which he also wasn't actively using and some hackers grabbed it and ran up a bill in the many 10s of thousands of dollars per day. Amazon.com caught it nearly immediately and my friend will not be liable for most of this bill, hopefully not any of it.

My friend is beating himself up because of course he knew better. He does know better, by the way. Don't let this happen to you. He suggests reading the following discussion on these issues to learn how to keep passwords out of your Git repository.


Never forget it's a jungle out there and that, generally speaking, people are scum.

Saturday, August 16, 2014

The Illusionist Table at the Scitech Awards


Is it the Addams family or is it our table at the Scitech Awards?

This picture was taken so long ago that David Coons is still married to Carlye.   There is very little light in that room and I am morally opposed to flash units, so that explains the use of the candles to try and add a little illumination.




Besides David Coons and Carlye, we have Rick Sayre, Nicki Kaiser, Josh Pines in the center, Stu Moscowitz (sp) and his lovely girlfriend.  I am inquiring the names of the other people there and about when this happened.

Nikki points out that the candles and the tuxedos make it look like a meeting of illusionists, perhaps earlier last century or even before.