Feral and Venom in Santa Barbara

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I am walking to my local pharmacy, CVS.  I go in the back way, talking on my phone, as usual, in this case about superhero movies and stereoscopic conversion.  I say that some of these movies are too dark to be great in stereo and trying to think of an example, someone says "Venom".

She is working in the back of the store, attractive some would say, that is if you like hot, slender women with 1/2 " hair that has been bleached white, skintight jeans, ritual scarification, and excellent knowledge of the Marvel superhero cinema.

We agreed that the relationship in Venom between the antihero (youre a loser, eddie), the ex-girlfriend and the symbiont ("I like her."  "This may be the last chance you might have to apologize to her") is charming.

Her name is Feral.  She talks to me three different times while I am at the store.  I practically run away.  When was the last time I actually talked to a non-gender specific girl type person who I might ask out?  Long, long ago, in a different life.

I hope she works there, I might be able to see her again.

If I was in a playwriting class, I would write this up as a skit.

Watchmen Porn

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For years I avoided seeing the Watchmen superhero movie, because I hated the graphic novel in the 1980s. A friend made me see it as part of our remedial superhero study group and guess what, I really hated the movie. But I was surprised that she would appreciate the rape scenes so much and the sexist representation of women if that is indeed what it is.

For me, it is the latex garter belt that really sells this outfit.  

Maybe there is hope after all.

Background Material on Wonder Woman

Now that the Wonder Woman movie is really coming it is time for all of the readers of this blog to be up to date on the fabulous secret history of Wonder Woman.

Impeccable feminist credentials combined with a fabulous unconventional sex and marriage relationship between Marston and the two women who lived with him and raised his children result in a story that is very modern and rewarding.

The person who set off this whole revisionist look at Wonder Woman, if that is what it is, is Jill Lapore of Harvard and the Smithsonian Magazine article is by her.

See

Smithsonian Magazine article by Jill Lapore

http://www.smithsonianmag.com/arts-culture/origin-story-wonder-woman-180952710/?no-ist

Atlantic Magazine article which goes into more detail about "kinky sex"

http://www.theatlantic.com/magazine/archive/2014/11/wonder-womans-kinky-feminist-roots/380788/

NPR article

http://www.npr.org/2014/10/27/359078315/the-man-behind-wonder-woman-was-inspired-by-both-suffragists-and-centerfolds

For those of you sadly out of touch with popular culture, Wonder Woman had a modern cameo that is considered the high point of Batman vs Superman: The Dawn of Justice (2016) and her own movie is being prepared for which a first trailer has been issued and can be seen at the following link.

https://www.youtube.com/watch?v=1Q8fG0TtVAY

IMDB page on Wonder Woman
http://www.imdb.com/title/tt0451279/

A Dialog About Firearms and Superheroes in Cinema with a British Intellectual

I sent a friend in London a link to the opening of Deadpool (2015) to show off some excellent use of 3D animation in the service of art, or at least superhero movies.

His response was less than ecstatic:

(edited slightly for formatting purposes)

Yeah pretty good i guess...

I'm just so bored with all american productions and their fixation with guns... I mean what is the attraction in watching people firing guns? And in most of the shows it is all unimportant characters that are being shot. The main cast rarely get hit. Its really boring...

I much prefer Scandinavian tv dramas which like British shows rarely have guns because basically we don't really have them... But i currently prefer the Nordic noirs because UK drama is being influenced by US ideas and although they don't have many guns (although they are succumbing to that too) they have picked up the American sentimentality with people hugging at the slightest opportunity - Where is our stiff upper lip anymore? But the Scandi's they have almost no sentimentality so i really like them...

Have you seen the original danish 20 part version of The Killing, or Borgen or The Bridge or Wallander... I really love those shows - in the whole of Borgen there wasn't one gun or one hug - sheer delight! Its like they took away the guns and hugging from madame secretary ;-)

I do not completely understand all his references here (e.g. “madame secretary”) but I do see what his point is. Here is my response:

We must make allowances for cultural diversity. When Paul Verhoeven in the 4th Man (1983) revealed that the nurse at the end was none other than the Blessed Virgin Mary, mother of God, he was taking a bold step for a Dutch protestant to acknowledge, in a practically Papist way, the Virgin Mary.

You see where this is going?

So it is with Americans and firearms.

The American cinema and its intellectual elite has moved beyond the giant robot and turned to the comic book superhero as a medium with which to express the totality of our civilization. And yes, there is a certain number of firearms in these movies, but there is also quite a few samurai swords, as well as more European broadsword types.

In the first Thor (2011) you will find very few firearms, but rather a lot of swords, some hand to hand, and most of all Mjolnir, the mighty hammer, "for if he is worthy, let him who wields this hammer have the power of Thor". (see attached picture)

To understand America is to understand the frontier of the old west. In the classic Western, good and evil must contend and settle once and for all which will triumph, and meet at noon for the shootout. What would you have them use instead of firearms?

_____________________________________________________

Notes

The 4^th Man (1983) on IMDB

http://www.imdb.com/title/tt0086543/

Thor (2011) on IMDB

http://www.imdb.com/title/tt0800369/

Relationship Between Sugar - Based Nutrition and Superhero Movies in America

As we all know, there have been recent, well-publicized attacks on American core values, on our culture and our civilization. These attacks strike at the very center of what it is to be an American and is nothing less than an attempt to destroy America from within.

I am of course referring to the disingenuous attempts to get Americans to stop eating sugar.

Americans instinctively know what is good for them and foods made out of high fructose corn syrup is as good for you as a breakfast of scrambled eggs, bacon, hash browns and grits. America was built by strong hands that were made strong through breakfasts of this type. Not to mention coffee with a lot of sugar. Maybe a muffin or two.

Lets look at the types of foods that these pretentious intellectuals would have us remove from our diet. Coffee with several heaping tea spoons of sugar, glazed donuts, ice cream sodas, waffles with syrup, Sugar Frosted Flakes, chocolate cake with ice cream, candy of all sorts.

The American diet is a healthy diet.

If America which is surely in its decline were to abandon its values and turn its back on the traditions that made this country great, were it to fall into this decadence and sin, then those that lead this attack against righteousness can be expected to attack another pillar of American strength, movies about comic-book superheroes.

They will say, these scum will accuse, these movies of being as empty of nutrition and cultural content as a box of Skittles or chocolate-covered raisins. These self-appointed keepers of nutrition and elite culture will try to tell us that we do not need another movie about the X People or the Avengers or even Teenage Mutant Ninja Turtles.

The food of the God's encoded in chemical form ?

They are wrong, of course.  Not merely wrong, but anti-American.

Just as these wanna-be arbiters of our diet would point to a donut and claim it is nothing more than dough fried in grease with a lot of sugar, so they would point to another great movie about superheroes, for example, Avengers: Age of Ultron (2015) and claim that this movie has no worthwhile plot, characters, motivations, while it is filled with violence and stupid helicopter-like aircraft carriers.  Yes it is true that a donut is made of fried dough with sugar and, on the surface, A:AOU is empty of even the flimsiest justification for its fulsome budget, in reality it speaks to the greatness of the American filmmaking tradition just as the donut speaks to our fine and healthy American traditional cuisine.  This does not even need to be defended.  Even the most craven of anti-American sentiment can see this is true.

Besides look out in the world.  What else would we do with the money, the hundreds of millions of dollars spent on such fine films?  Feed the starving in Sudan?  Please be serious.  Educate our poor and disenfranchised people? Why bother? They are poor and they deserve to be poor. Everyone knows that.

There is a link between the great nutrition inherent in sugar frosted flakes and the cultural content of another Bat movie. These are the elements that have made America strong.

Yet that is what the so-called experts are saying we should do. Turn our backs on this bountiful harvest that we have grown with our own two hands. This very nectar of the Gods. The calories, vitamins, minerals, proteins, steroids, and most of all, the sugar that has powered Americans through the abolition of slavery, war and oppression and enabled us to make superlative superhero movie after superhero movie.

Faithless people! To turn your back on the great cuisine of America, brought to this shores by the huddled masses yearning to be free, free to drink Coca Cola, get an ice cream soda after the drive-in movie, or to start the day with a dozen or so glazed donuts and coffee, waffles with butter, and breakfast food cereals.

I think that subconsciously Americans realize that this is wrong, and feeling guilt, yearn for a simpler time. A time when we ate chocolate cake with pride, and not disgusting boiled kale with sesame seeds. A time when a real man would smoke unfiltered Marlboros and get up on his horse and go punch cattle.

Stand firm, America! Do not let these so-called nutritionists badger you to abandon the foods and movies that have made America the land of the free and the home of the breakfast food cereal marketing a superhero movie. Stay true to your values. This too will pass.

As American as a slice of hot Apple Pie with a scoop of vanilla ice cream. 

Health Threat of Sugar is Vastly Underestimated Study Claims

http://www.theguardian.com/society/2015/oct/27/sugar-health-threat-underestimated-obesity-study-claims

Ultron's Lament

When society looks back to this period of filmmaking, will they see great work? Will they perceive the depth of character, talent and genius that informed the works of Ibsen, Checkov, Pushkin, Moliere, de la Barca, Jan deBont and Michael Bey? Or will they see a noble artform brought to its knees and destroyed by waves of computer animated visual effects full of sound and fury and signifying very little.

Only time will tell but let us not forget that it took decades before critics saw even masterpieces like The Mummy (1933) with clear eyes and recognized its genius.

So it may be with the current crop of endless X-People, Fantastic 4, Avengers, Bat People and so forth. There may be substance behind their otherwise superficial facade waiting to be discovered.

I think that there is such depth and I propose to you as an example an otherwise overlooked scene in Avengers: Age of Ultron (2015). When I first saw this film I did not understand why it was made. It seemed not shallow, but paper thin shallow, without an idea in its head beyond the mere empty greed of the studio executive and his or her insatiable desire to exploit children for every penny they were worth.

But sometimes great work needs time and space to flower and demonstrate its greatness and I had occasion to watch this film several times in pursuit of another idea, one that demonstrates a linkage between the campaign against sugar in the American diet with a similar conspiracy against films about superheroes, when I noticed a scene of great pathos and feeling hiding among the explosions and pointless plot elements.

The scene involved the Scarlett Johannsen character as a foil for the attention of the uber - robot and AI intelligence, Ultron, the nominal villain. In this scene, he plays the part of the villain who feels the need to explain his evil plan for world domination or destruction to our hero, or in this case, our heroine.

Our token woman or lust object, one of three women with a speaking role in the entire film, lies unconscious on the floor after a battle. She groans, not realizing where she is, Ultron's laboratory, and Ultron notices she is awake and begins his great soliloquy.

We are at approximately 1:29:17 into the film.

                                                             ULTRON

                              I wasn't sure you would awaken. I hoped you

                              would, I wanted to show you.

                              I know, I haven't anyone else.

                              I read a lot about the meteor, the purity of them.

                              Boom! The end. Start again.

                              The world made clean for the new man to rebuild.

                              I was meant to be new.

                              I was meant to be beautiful.

                              The world would have looked to the sky and seen hope.

                              Seen mercy.

                              But instead they will look up in horror, because of you.

                              You've wounded me. I give you full marks for that.

                              But like the man said ... what doesn't actually kill you ...

METAL EXOSKELETON EXPLODES TO REVEAL THE NEW ULTRON

                              just makes me stronger.

CLOSES PRISON DOOR

Admittedly this scene ends in a noisy way not entirely compatible with the early monologue, but this is by far the most human and interesting acting in the entire film with the possible exception of when Ultron has his heart ripped from his chest, by the other woman superhero, near the end of the film.

Ultron is just a fool for women, it would seem.

Why do they make these movies?