1. The screening seems to have been put
on by the fans without studio involvement.
2. Steve Lisberger, Bonnie MacBride,
Alan Kay, Richard Taylor, Harrison Ellenshaw, Bruce Boxleitner and
Frank Serafine were in attendance.
3. We also had Bill Kroyer, Art
Durinsky, Chris Casady, Craig Newman, John Grower, Larry Malone, Josh
Pines, Ken Perlin, and Kenny Mirman.
4. John Nelson had not even heard about
the event, I think, and I only heard about it because Ken Perlin told
me he was coming to town for it.
5. Bonnie MacBride told the story of
how the film got into development.
6. Alan Kay told the story of the
famous the Parc demonstration, the same one they gave Steve Jobs (the
one where Steve got the idea for the Macintosh).
7. This was the second time I had seen
the film, the first time was a cast and crew screening at the
premiere.
8. When I was watching the film, I
noticed odd things that I could not explain. Many lighting effects
seemed to be gone, a lot of high frequency detail that usually had
aliasing artifacts on it seemed to be filtered, a few scenes just
seemed to be down two or three stops for no apparent reason. Many
pops in the animation seemed to be fixed. The resolution of the
computer world seemed weird to me, but not bad, just weird.
9. When the film was over, Josh Pines
and Ray Feeney told me that this was a Blu Ray of Tron that had been
projected, and that it had many "mistakes", which I kind of
liked, fixed. This would explain most of the weirdnesses I saw.
Apparently the studio sees no need to spend any money on this film,
and there is no digital cinema master.
10. I think it is a little weird that
they would project a blu ray at the 30th anniversary at the Chinese
theatre, but if that is all that is available so be it. I thought it
looked very good for a blu ray, and probably enjoyed it more not
knowing what they were projecting.
11. However that invalidates the
screening for one purpose I had for it, I wanted to compare my memory
of the 70 mm original and see what held up and what did not. Seeing
a stepped on Blu Ray does not permit me to do this.
12. Of the Abel work, I felt that in
general it held up, some of it more than other parts of it, but
overall it looked very good. I felt that Baily's abstraction portion
also held up well.
13. The big mystery is why there are
not more women in tight spandex to appeal to adolescent boys? What
were they thinking? Cindy Morgan looks pretty good in a glowing neon
jumpsuit, but she is on screen barely 20% of the film and is very
chaste the whole time. A great opportunity for a neon bad woman in
spandex has been lost and I am sure it cost them at the box office.
I will fill this report out as I think
of more things.
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