Just A Moment

We are taking a moment to recalibrate our sarcasm, negativity and ennui.  Just because I am annoyed about life and the hypocrisy of the world is no excuse to be dreary in one's blog.  Will be right back with you.

MW

What Should we Learn From The 2014 Box Office?

This post is an essay in transition.

When we review a year's worth of films, what criteria should we use as a basis of analysis?   Should we care, as the news media does, for how much money these projects ostensibly made?  Should we discuss the content of the films, their artistic merit? Should we take a practical stance and ask what we can learn from the last year in order to propose our own films successfully?

For those who laugh at the idea of someone who reads this blog making / producing their own film, don't laugh so hard.  It is perfectly feasible for one of our readers, or a group of them, to make a film of one sort or another.  Obviously they do make films, short films that is, already.  In fact, they make longer commercial films all the time, just in a specific role, such as VFX supervisor or art director.

It is perfectly plausible to make a full length film and even possible to get that film seen, although it is much more difficult to actually make money at it.  If we ignore the point about making money for just a moment, which generally requires a distribution deal, and just focus on the process of making a film, many people reading this blog could make a film.

All they would have to do is want it more than just about anything else in their lives, and work as hard as they can with as much cleverness and practical problem solving as they can, for the next 10 or so years, maybe more, probably not much less.   And spend every dollar they make or will make on that activity.  And call in every favor.   And work as hard as they can for years and years.

Then once the film is made, assuming you do not have a distribution deal, you then must work for years showing the film at film festivals and somehow getting the money to attend and for submission to those festivals.

All this time you will have had to make a living somehow unless you inherited enough money that you do not need to work.

And when you are done, the most likely result is that you are broke, have some people who like your work, a lot of people who do not like or are indifferent to your work,  and have to figure out something to do with what is left of your life and probably how to make a living.   Although it is possible you could make a second film, it may even be easier than the first, but it will still be a lot of work and unless you are very clever, or lucky, or talented, it will be hard to make money on it.

Its not supposed to be about the money, now is it?  Its supposed to be about the art.

But in the world of the "real" or mainstream film industry, it is mostly about the money.  And to play in that game is also possible, but it is all the more difficult because of the even greater competition.

And that so-called mainstream industry, "show business" we might say, has a series of ever changing rules and conventions that are renewed from time to time.  They do not go in cycles exactly, although there do seem to be patterns that repeat.   (2)  But one of the things that the industry has always done is to review what has happened this year and use that to predict what the audience liked.  What stories, what stars, and so forth.   But its not quite so clean as saying "this is what worked in 2014, lets do that in 2015" because movies these days take years to create.   Even if you had a portfolio of scripts ready to be shot and with attached stars and directors, you still need over a year in most cases to create film, and very often much more than a year.

So what is the point?   Two things, first.  What happened in any one year will have a diminishing effect over several years in the future.  Second, in a similar way, the lessons of one year will inform what will work as a "pitch" to a studio or producer, in a diminishing way over the next few years.

So now, we get to the heart of the matter.   What films did well in 2014 and what can we learn from those films and their performance.

As you read on, you will see sarcastic comments regarding the content of these films.  That theme is actually the topic of a later post as the films this year, the ones successful in a gross sense at the box office, had no content.  It is one of the most pathetic years I can think of, although I am sure there are others.

So ... back to our post, what happened and what can we learn.

I want to bring to your attention a graphic by Reuters that reveals the total 2014 box office of the top grossing films.  This graphic also shows the production costs and the portion of the box office that was generated in N. America vs the portion generated overseas.

http://blog.thomsonreuters.com/index.php/highest-grossing-films-of-2014-graphic-of-the-day/

There will be a trace of sarcasm in what follows.

1. Almost all the films on this list made more money overseas than they did in N. America. That means when you pitch a film to a studio or write a spec script that it should have significant locations and protagonists in Asia, particularly China.

2. The revenues shown here are just the box office numbers in first release, and do not reflect the real numbers coming to the studio (which will be significantly less) nor does it include revenues from licensing or such future revenues as video sell-through. The films on this list that have major licensing opportunities are therefore more profitable than they might at first appear and it is not an accident that the studios make so many films with licensing potential.  That means when you pitch a film you want to explain or make obvious how there are lucrative toy tie-ins and indicate what the studio cut will be on such matters.

3. A few of the films on this list may be only barely profitable, or just now becoming profitable. To determine this, apply the 2.5 times the production cost for the rough break even point.  There may be and probably are films that did not gross as much but actually had a better rate of return for their investors because their production costs were so much less.  (1)    Therefore, add more scenes with nearly naked women, bankable stars that do not charge too much up front, and otherwise keep your production costs down.

4. Three of these 20 films are animated films (with computer generated animation). There are no 2D animated films on this list.   Therefore do not pitch a 2D animated film.

5. Fifteen of these 20 films, including the top nine, are either fantasy or SF films with major visual effects.   Thats the way to go.

6. Seven of these 20 films are sequels of previous films and two more are not exactly sequels but had a predecessor film of some sort (Godzilla and Teenage Mutant Ninja Turtles).

So clearly, any film you want to pitch should be based in America and China, be based on an SF or fantasy property, have great toy potential, have relatively low production costs, and would make use of 3D animation. Nothing really new here.

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1. This is why it is said that Roger Corman never lost money on a single movie. He knew that if he made a film with certain elements for a certain cost, that he could sell that film, usually in overseas distribution, and make a profit. An “element” here might be a bankable star, or a film about certain topics, or based on a book by a certain author, or a sequel to a film that did well in a certain country, or a film with many young women in bikinis. That sort of thing.

2. The joke about Hollywood is that everyone wants to be first to be second.  They wait for a successful film about a giant monster, and all of a sudden everyone is making a film about a giant monster.  There are other patterns or cycles as well.  Every year or so there is a genuine labor of love, an independent or studio film with heart that does some business as well, particularly as judged by its production costs.  And every year there is one or two of them.  But some years there are more than just a few, or some of these films do very well indeed, and then we hear about how the studio system is dead and it is now "the decade of the independents" or some such silliness.  Well maybe it is or maybe it isnt, but I suspect it isn't.   But for a year or two, an entity like Miramax may indeed be able to bring a handful of independent films to the world.  It seems to come and go.

Attention! Bad Science Fiction Movie Approaches! Morbius, Beware!

I am 12:40 seconds into Prometheus (2012).

I like to give these timeless epic movies a few years to age before I see them.  Usually I wait a decade at least, but in this case I am making an exception and seeing it when it is a mere two or three years old, positively still green and hanging on the tree by my standards.

On a ship deep in space we have a very odd person, who seems to have a broom handle stuck up his ass, exercising with a basketball, while on a bicycle, who then studies Indo-European linguistics and makes reference to Schleicher's Fable (see note below), watches Lawrence of Arabia and tries to imitate Peter O Toole.

Check out the attempt to imitate Peter O'Toole's haircut... here ... 

But then.

Oh !

Destination Threshold !

Red Blinking Lights !

... and here.

Oh my Gosh! Open the windshields, I mean the blast shields, we have arrived! Golly! What a surprise!

What total bullshit. 

You see, ladies and gentlemen of the jury, we are on a spaceship. As we have previously spent minutes of expensive screen time demonstrating, interstellar travel is very boring. You put the biped mammals on ice, you leave the robots around to keep the ship tidy and watch movies wishing they could have kinky man-android sex with Peter O'Toole, and being bored out of their android mind. You know very well when you are going to arrive because you have been watching a clock counting down digitally for years if not decades waiting for this moment. In fact, not only are you not surprised by this, you are probably on the observation deck as the planet creeps ever so slowly into view.

Indo-European historical linguistics aside, this is not a good sign.

But seriously, what this little moment implies is that at a deep and fundamental level the filmmakers are not making a science fiction movie for adults.  Obviously they are just blinking the red lights in order to create tension, which is fine, but there are plenty of ways of doing so without being stupid.  It means that the filmmakers either do not know any better or, more likely, that they do not care.  It could also mean that the story is for children, but I think we can presume in this case that the film is for the above-13 set.

An example of a science fiction movie that does not immediately throw reality out the window was Alien (1979) also directed by Ridley Scott.   This movie also played loose and fast with the technology of androids and also had some stupid plot moments, such as the usual corrupt corporation theme, but I do not recall that it immediately insulted our intelligence as this one does.

What other triumphs of stupid science fiction screen writing await us?

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Notes:

Schleicher's Fable is an attempt by historical linguist August Schleicher to write a short story in Proto Indo European, an early reconstruction of a language common to many languages in the west, including Greek, Latin, Sanskrit, German, English and so forth. It is an entertaining whimsy of early Indo European language studies and no one in their right mind would memorize it unless they had a lot of time on their hand, which our android probably does.

Schleicher's Fable on Wikipedia:

http://en.wikipedia.org/wiki/Schleicher%27s_fable

Prometheus (2012) on IMDB
http://www.imdb.com/title/tt1446714/

Alien (1979) on IMDB
http://www.imdb.com/title/tt0078748/

FBI Issues Cyberalert Regarding Iran

As part of the ramp up of the war taking place in cyberspace between various nations and non-state actors, the FBI, in their role as the lead counterintelligence agency for this country when inside our borders, has issued an alert about Iranian cyber activites.

Although most Americans do not consider the FBI to be an intelligence agency, they are, in fact, one of the famous 3 - letter agencies (CIA, NSA, DIA, NRO, etc) and they are responsible for seeing that bad people who are attacking American citizens or corporations or whatever are thwarted. Particularly when whatever is happening takes place inside our national borders where agencies like the CIA are not allowed to operate, generally speaking.

Thus, when the predecessor to the NSA started decrypting Soviet messages (Venona) and discovered that they, the Soviets, were running significant intelligence operations in the US, it was the FBI that the NSA turned to as the proper authority to disrupt these activities and where possible identify and prosecute the Soviet agents.

As you presumably know, the war in cyberspace has been ongoing for over a decade, but the US has only in the last few years started mobilizing cyberdefense and cyberoffense activites.

Of course, certain announcements by the FBI regarding Cyberwar have not always worked out.  For example, SONY was probably not hacked by North Korea, but rather by a very spiteful and talented former employee and IT worker.

Nevertheless, it is the FBI's job in all this to investigate but also to educate and warn Americans who may be at risk. Hence this alert.

Page 1 of the Alert

You may read the entire notice at the following link.

https://info.publicintelligence.net/FBI-IranianHacking.pdf

If you do not know the Venona story referenced above you really should read about it. Its one of the few activities that the NSA feels it can talk about, since it is long over and since it was compromised decades ago.

See https://www.nsa.gov/public_info/declass/venona/

Secret Parameters in Firefox

Please be sure not to tell anyone that the secret parameters in Mozilla Firefox are listed under "about:config".

Previously Discredited Treatment for Depression Shows Amazing Success in Trials

Millions of right thinking Americans have depression but in spite of years of therapy and the prolonged use of various anti-depressants, a large proportion of those who suffer do not respond to treatment or respond only in a limited way. But now an obscure therapy first pioneered by a radical fringe group of doctors in Queens, NY has been found to have an unprecedented success rate of over 80% in the group of patients that previously did not respond to therapy.

“We are completely astonished,” said Dr. Irving Bloomworth of the Institute for the Prevention of Mental Disorders, whose headquarters is located in Falmouth,  NY. “As part of reviewing old and discredited approaches to treating depression, we came across this approach from the 1930s. We felt that there may have been some procedural mistakes in the trials back then and that it was worth trying again. But we never expected this kind of success.”

In a multiyear experiment funded by the NIH, several different groups of subjects were assigned either the therapy in question or a placebo. Those who received the actual therapy were given paper sacks filled with large amounts of money. The control group received paper sacks filled with old copies of the NY Post "Page Six" column.  

“We noticed a striking improvement in the mood and functionality of the people who received the sacks of money,” said Dr. Bloomworth in a press conference yesterday. "Those who received the placebo were mildly amused but the effect did not last long. But those who received large sacks of cash not only reported feeling better, that feeling seemed to persist for long periods of time."

"As a doctor, someone who wants to heal the sick, I was very gratified when some of the selected group, people who had been depressed and stuck in life for years, suddenly began to have new hope and solve problems that they previously thought were unsolvable.  The depression seemed to disappear as if by magic when they could just throw money at a problem". 

"The mistake we noticed in the original experiments in the 1930s was that they limited the amount of money involved to less than $100.   Of course, $100 was worth a lot more back then, but even so this caught our eye.  What if they had simply not been using enough cash, we wondered.  We created an experiment that gave out money in the 10s of thousands of dollars and we immediately saw an amazing improvement in the quality of life of the subjects as well as an improvement in their attitude towards problem solving."

One limitation of the technique is that the subjects must be allowed to keep the money, doctors discovered.  When they took the money away again, the subjects reported that the depression immediately returned and brain scans confirmed this.  Those who had received the NY Post, on the other hand, were not much affected one way or another when the popular newspaper was taken away.

The therapy was seen to be enhanced by post-care care in which the recipients received help with accounting, investment and taxation.  Tellingly, only those who actually received sacks of money responded to this care.  Those who received the placebo, the NY Post related material, were not affected one way or another by the contributions of an outside accountancy firm.

“This is a very exciting, possibly breakthrough approach,” said Dr. Fremkin at the NYU Medical School who was not involved in the study. “But we must not rush to judgment, many more studies must be done before we just start handing out sacks of money to depressed people”.

Followon large scale trials are being planned.


__________________________________________________

Notes:

National Institutes of Health

www.nih.gov

National Institute of Mental Health on Depression

http://www.nimh.nih.gov/health/topics/depression/index.shtml

Page Six at the NY Post

http://pagesix.com/

North County Transit and the Kindness of Strangers

A few nights ago, I came back from Los Angeles by train to Oceanside and discovered that I had left my car keys somewhere else. It was 8:30 at night and I was roughly 20 miles or $90.00 by taxi to get home.

It turns out that I got home by spending $6.00 on local transit and $10.00 for the final 3 miles. It took a few hours, but was otherwise pleasant and educational. But it would not have happened without the help of many of the other people on the poor trail home.

The North San Diego County Transit Authority (NCTA) runs all the buses and trains in the North County. Believe it or else, there is a light rail system that connects Oceanside (pop 180K) to Escondido (150K). How is it possible that these two communities are connected by train when in Los Angeles they can not connect Santa Monica to Los Angeles? Well I am here to tell you that they act that way down here out of fear, fear that they will turn out to be Los Angeles, that hunk of vile stinking shit, if they are not careful.

But even a train does not do people much good if it is not run and the fact is that all good white people in North County are home in bed by 8 PM in order to be able to get up at 5 AM when the rooster crows and they have to start plowing the back forty. And except for Friday night when they run it late for their teenagers, the last train east is at 8:33 PM.

So here I come wandering up at about 8:40 PM and all I see is an empty train station and one black guy hunched over his bike. So I say to him, I think we missed the last train. He looks at me. I say, I think we missed the last train. He says, where you going. I say Escondido. He says so am I. We have to take the 302/303 and then connect to the 305, he says. It takes about two hours.

Now I had been living in this here part of the world for a few years now and I can tell you that I had never been able to figure out the buses. I had not tried all that hard, it is true, but I had tried a few times to figure it out and I could not make heads or tails out of it.

But with some discussion with my new friend and his bicycle these are the things that I have learned which I write here so that the knowledge may not be lost. And to encourage others to use the system when it fits their lifestyle or circumstances.

1. Although the train stops about 8:30 PM, major segments of the bus system continues until about 11 PM or so on weekdays. After that, I think you are either walking, taking your bike, or staying over in a local motel or hotel lobby.

2. All the buses that I saw were new, clean, did not seem to be pumping out diesel or other shit, and were driven by nice people who spoke English, whatever their first language may have been.

3. Every bus I saw that night had room for two bicycles on a rack in the front. I do not know what would happen if a third bicyclist showed up, but that did not happen.

4. It is not self-explanatory, but once you know, you realize that the 302 bus goes from Oceanside to Vista. And that the 305 goes from Escondido to Vista and, although it does not say so, back again. And furthermore, that the 305 arrives at Vista a few minutes after the bus from Oceanside arrives at Vista.

5. Now, armed with that knowledge, and with the knowledge that the buses of the NCTA actually run on time, at most a minute or two late, you can take two buses and arrive at Escondio transit center.

6. But even better than that, I noticed that the bus to Escondido also stopped at Nordahl & Mission, which is several miles closer to my house.

7. Now I have to admit that the 302 in particular seemed to go in circles and that not everything was as speedy as it might be. It took about an hour to go the 7 miles from Oceanside to Vista but it took about 30 minutes to go the 12 or so miles from Vista to Escondido.

8. On top of that was a very nice, young, hip security guard at the Vista station who was extremely helpful.

9. I was also impressed that everyone was looking out for my interests, moneywise. Unlike my experience in Escondido where you are expected to pay like you were living in Manhattan or Beverly Hills, the people of the NCTA and their passengers made no such assumption, and worried whether I would have the 2 * $1.75 fare to get home.

Then as a footnote to all this, when I arrived at Nordahl & Mission expecting to have to walk the 2 plus miles home, I ran into a taxi cab, which never happens, and he took me home for $10 including one stop at the local mini-mall.

So there you have it.  It is not speedy, and the routes seem to be quirky as hell, but it does get you there and the people are very friendly.  Be prepared to walk the last mile or two, of course.

I really have to get over my “I hate buses” thing which I developed living in LA where the buses are dirty, slow, unfriendly and made me sick from the exhaust fumes.

Armed with my spare set of car keys, I am now setting off to walk to the train and see if my car is still there in Oceanside.

Ladd McPartland 1951 - 2015

I am sorry to have to report that Ladd McPartland passed away last week. Apparently he died unexpectedly in his sleep from causes that are still being determined.

Ladd was one of the nicest human beings that I have ever met. He ran editorial at deGraf/Wahrman and then went on to the same thing at Sony Imageworks and ILM. He lived in Darwin, a ghost town in California that he and several other people occupied.

His brother Tim McPartland wrote the following obituary for Ladd:

Ladd McPartland was born on March 29, 1951 to John and Eleanor McPartland. He died peacefully in his sleep on December 20, 2014. Ladd was highly creative as a photographer, filmmaker and in the way he crafted his own life.

After graduating from Pacific Grove High School in 1969, he attended UCLA Film School where he earned his Bachelors Degree in 1973. Many years later, Ladd completed coursework and projects to earn his Masters Degree in Film. As an undergraduate, he directed, shot and edited a student film entitled “Stillborn” that was screened worldwide, including at the Cannes Film Festival. and earned him respect and recognition among the creative community.

Ladd also worked extensively in the film industry as an editor and visual effects artist. At Industrial Light and Magic and Sony Imageworks, he contributed to films including Star Trek: First Contact, Look Who’s Talking Now, Speed 2: Cruise Control, Jetsons: The Movie and many other theatrical features. Ladd was for many years the editor of the prestigious SIGGRAPH conference on computer graphics. He later was videographer for the Institute of Noetic Science in Petaluma.

Ladd was beloved for his wry sense of humor and charmingly quirky approach to life. From early childhood, his uniquely creative sensibility astonished and amazed all who knew him and he remained true to his own vision of life until his untimely passing. Ladd is survived by his brothers Tam, Tip and Tor McPartland and his sister Jan. His ashes will be scattered in his adopted home, Sebastopol, California.

I am not sure when this picture was taken, but I would guess it might have been when he was attending UCLA.

Apparently the audio from the memorial service was recorded and can be found at: 

https://www.dropbox.com/s/nyvs1b62j0kvw4r/LaddMemorial.wav?dl=0

Darwin, Ca on Wikipedia
http://en.wikipedia.org/wiki/Darwin,_California

The Case of Daniel Chong: DEA and DOJ Work Together

It is often said that US Government Agencies can not work together well.  Here we have a case where two agencies, the Dept of Justice and the Drug Enforcement Administration, which is part of the DOJ by the way, worked very well together in order to hide an unlawful arrest, torture and attempted murder through negligence by the DEA.

www.cryptome.org has published on their website a FOIA response in the matter of Daniel Chong. Mr Chong, a student at UCSD, was falsely arrested by the DEA, thrown in prison, told he would be released, and then held without food or water, in handcuffs, for the next five days where he was discovered by accident in a holding cell, unconscious and near death, and rushed to a local intensive care unit. Someone, we do not know who, called various Department of Justice (DOJ) hotlines describing the situation and informing the DOJ of the situation.

Mr Chong did survive. Several investigations were held, he was given a chunk of cash, and the DEA and the DOJ attempted to suppress the matter. No one from the DEA was in the least bit reprimanded, nor dismissed, and the Southern California Attorney General office declined to prosecute for “lack of evidence”.

You may read the FOIA document at

http://cryptome.org/2015/01/DOJ-OIG-DEA-DanielChong_2012-2013.pdf

Here are some obvious questions after reading the report.

1. Why are the names of the DEA Special Agents blacked out?

An innocent citizen was falsely imprisoned tortured by starvation to within an inch of his life and nearly died. Why do we, as American citizens, not have the right to know which of our public servants perpetrated these apparent crimes?

2. For what reason have the people involved not been dismissed from government service?

At the very least we can say they were grossly incompetent and criminally negligent.

3. Why have criminal proceedings not being brought against these people?

The statement of “lack of evidence” is not the least bit credible. From the description of this case, there would seem to be ample evidence of criminal negligence if not malicious intent.

4. How do we know that others have not been tortured by the DEA and possibly murdered. What assurance can you give us that this is a one time anomaly?

Since by all appearances the DEA and the DOJ are covering these crimes up, it gives me no confidence that it has not happened before and is likely to happen again.

If the US Government wants to be given the benefit of the doubt regarding matters that an informed citizenry can not truly know about, such as the NSA matter, then it is all the more important for them to come clean on matters that we certainly have the right to know about.   Very clearly gross incompetence led to the torture and near murder of a citizen and the Attorney General's office does NOTHING?  

Wake up, DOJ.  Its time to do your job and apply a little justice to the matter.  Do it.  Do it now. Or do not be surprised when in the future people do not believe a word you say and assume that you are just lying.

It is nice to discover that DOJ and DEA can work together so amicably in order to repress justice showing once again that there is often a silver lining if you look for one.

More on the Vision of the Future Past

Dave Moon asks if there was really a vision about tomorrow in America? He points out that the 1964 Worlds Fair left a lot of people out.

He is right, so let me qualify my statement, which I believe is still correct but for fewer people. Among middle class Americans, most of them white but by no means all of them, there was a vision of tomorrow that was shared, unspoken and positive. I believe that the 1964 World's Fair was the high point of that belief system as it was before Vietnam, Three Mile Island, the Oil crisis, Watergate, and the Tea Party.

So I confess, I readily use words like “Everyone” when I really mean and meant the middle-class of this country, a class that probably does not exist anymore. Could poor black families in the inner cities or Hispanic families laboring for below minimum wage in the fields of the rich buy into this vision? I guess not, although I think some of them might have.

A taxi driver from Ethiopia told me, a few weeks ago, that America was a great country and a country of opportunity for anyone with a lot of energy who was willing to play by the rules. I did not disagree with him to his face and I thought it was actually a very nice thing for an immigrant (1) to say and believe. But I do not happen to believe it.  Maybe it is true relative to where he came from.

But back then “everyone”, again by which I mean the mostly white middle class, believed that Americans would have jobs and be able to support their children and send them to college. Even Don Corleone believed that his children or grandchildren could prosper without crime.  That was when people believed that the government, although not perfect by any means, was generally on our side and not entirely a corrupt servant of the rich. This was when nuclear power was good, the environment was not yet recognized as being destroyed, and there were two cars in every garage. That was before a very large part of our citizenry had publicly disavowed their belief in science because it did not support their politics. A citizenry who wants to sell the national park system as part of some sort of religious faith in the free market which not even an economist can begin to make sense of.

That vision, the promise of the future being better, gave a stability and a moral force to all our actions. Even if some detail was not right, a corrupt local politician for example or racism in our education system, we knew that the broad vision was in place and that things would work out.

But they did not work out. Technology has not been a force of good. Intolerance, racism, greed and stupidity is rampant throughout this country. No one even knows how many unemployed there are. Genetic engineering is feared and loathed by most Americans when it is used to engineer more profitable plants: note its all about profits not about feeding the world. I do not know when genetic engineering will achieve its promise in medicine, or if it will, but I am confident that only the rich will be able to afford it when it happens. I am not sure what the war in Iraq was about, but if it really was about the banality of protecting oil sources, which I do not think it was, then at least it was about something instead of being merely insane.

The morality is gone, perhaps it was never there.

The belief that we were fighting for the right, and that our strength was as the strength of ten because our heart was pure is gone, betrayed.

Elections were stolen, districts gerrymandered, the government worked and continues to work very hard to see that the poor and the sick are exploited for the profit of their friends.

I can give you hundreds if not thousands of examples where we threw it away. From Los Angeles transit to offshore drilling contracts let to incompetent friends of the Nixon White House to a total failure to regulate the obviously out of control and dangerous financial community,

The abandoned and derelict transit systems and compromised attractions at Tomorowland are mere symptoms of the failure of our cultural myth.  Yes, I am saying at some deeper level, Disneyland and our civilization, if you call this civilized, are symbolically or at least metaphorically linked.

In fact, it is probably even arguable the Disneyland is overall more functional than society as a whole. Consider, for example, that while no doubt there are privileges for the rich at Disneyland, they are not slapped in your face every moment of every day as it is in the rest of America where being poor is the greatest crime and the rich laugh at the misery of their fellow Americans.

So yes, Dave, I do believe that there was a shared vision of tomorrow that was positive and that motivated and gave hope to a large segment of the American people. But you are right to point out that there were always people who did not share that delusion.

I may be romanticizing things a bit.

Well, this is certainly a bright note to start the new year with.

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1. We are all of course immigrants here in America except for perhaps the Native Americans.