Wednesday, January 9, 2013

Some Points to Consider Before Starting a War

[Revised 1-12-2013]

I wrote this silly essay not because I am a genius who knows everything, but because it sounds to me that people around me (and people in Washington) do not know much about this very complicated and emotional topic: what it is you should expect if you start a war.  Since I think I know a lot of what you can know about the subject from reading history, and because I keep getting irritated by some of the things I hear and read which sounds appallingly naive, I have written down a short list of things that I think everyone should know, more or less, before advocating a military solution (e.g. attacking Iran, Syria, etc).  In other words, if the things I describe below do not happen, you should be pleased.  But if they do happen, you should not be surprised.


Why can't war be fun, like on television?

1. Wars are generally easier to start than to stop.

History is filled with examples where some nation (or kingdom, whatever) was able to start a war, but having started it, discovered many reasons why it was a mistake, but could not disengage. Things had spun out of control.   

2. Wars are very expensive.

Very expensive indeed.  In all the ways we might define the term "expensive", e.g. money, lives, civic discord, etc.   Historically, nations have underestimated these costs, sometimes willfully, sometimes because they are hard to predict, and other reasons.  But at the end of the day, when a nation reviews a war after it is over, rarely do they say that it came in under budget. And these costs continue long after the fighting stops.

3. People die and get hurt in a war.

Well, golly, you may say, that's pretty obvious.  But I swear that there are people who do not know this.  They think they can have a war in Afghanistan or Iraq or wherever and somehow people won't be killed.   But that's what happens in war.  You throw a lot of munitions around and they explode and kill people. Some of those people are in uniform, and some are not in uniform, and some of the latter are civilians and some are not.     You try to mostly kill soldiers and kill as few civilians as possible. Sometimes you end up killing your own people by mistake or carelessness. It happens all the time.

4. Mistakes happen during a war.

Wars are barely controlled chaos with real opposition and all sides using what are essentially dangerous prototypes and throwing bombs at each other.   Ever watch any of those videos on youtube from aircraft talking to people on the ground?  Notice how often they are yelling?   They're not yelling to be heard (well, maybe they are yelling to be heard), but they are also yelling because it is really stressful where they are.  People make choices and make mistakes.   People go the wrong way, people get the wrong coordinates, some people did not get the word, people got excited when other people were shooting at them. Mistakes happen.

Sometimes they are not mistakes, sometimes they are only mistakes after the fact.  Oh you blew up a wedding where a lot of the bad guys were going to be?   I see.  Maybe that was an intentional mistake, or maybe it wasn't.

But nothing makes me laugh harder than the civilian quarterbacking after the fact.  Why didn't they do this?  Why didn't they do that?  That sure was stupid.  Easy for you to say.

5. The laws of war are more guidelines than laws.

Not all cultures agree with the so-called laws of war. Not all nations have signed the Geneva Conventions. Even those that have signed them have a lot of leeway on how those laws or conventions are applied on a case-by-case basis.  So don't go throwing around words like "war crimes" without spending a lot of time figuring out what it is that people mean by this today, because you will just sound like an asshole, which you may very well be. 

6. When the war is over, the war isn't over.

Win or lose, someone has to clean up the mess. And someone has to pay for it. Win or lose, if you get into a war it is likely that you will have some obligations or costs going forward however it turns out.  

7. People care passionately about what happens in war both during and afterwards.

I use the story of the Smithsonian exhibit on the Enola Gay to explain what I mean by "strong opinions".  As far as I can tell, by far most soldiers in uniform at the time the nuclear bombs were dropped believe/believed that those bombs saved their lives by causing Japan to surrender.  Now it turns out that maybe that is true and maybe that is not true.  People will be debating that for a very long time and we may never have a definitive answer that makes everyone happy.   But the people who were in uniform at the time, of which very few are still alive, have strong opinions on the topic.  And when the Smithsonian tried to do an exhibit which was so-politically-correct about whether or not the bombs caused Japan to surrender, they were torn to pieces by the veterans.   That's what I mean by "strong opinions".

Therefore do not start a war unless you are willing to have people around afterwards who have very strong opinions on the topic that you may or may not agree with.

8. Do not have a war unless it is OK with you that people will hate each other.

One of the most irritating recent issues regarding the war in Afghanistan was the investigation to find out if one of our soldiers had urinated (e.g. pissed) on a dead enemy to show his disrespect.  How could that be!  That's not very civilized!  War is not very civilized, either.  War is about killing people and being killed, about people being betrayed and dying. And about hate. Therefore do not go into a war and expect that people are going to be completely dispassionate. No offense or anything, but that would be extremely unrealistic.

9. Some people do not appreciate our good intentions.

Its hard to believe, but some people do not want Americans to come in and "show them how its done". They do not care that having a base in the desert saves us a lot of money. They don't trust us. If something happens that they don't like or don't understand, they are very likely going to think that we are doing something evil, or that we planned it, or otherwise take the worst possible point of view on the topic because, as I said, they don't trust us.

And other nations, watching what is going on somewhere else, maybe also doubt our intentions and maybe fear us because we went to war in order to "fix things" and they may wonder if they are the next to be "fixed". 

10. Some people have longer memories than you do.

America as a culture has a selective and self-serving amnesia and tends to disregard other people's history, or history in general, as unimportant.

Americans may have neither known nor cared that the French were in Vietnam before we were, but the Vietnamese certainly did.  I know many of my fellow citizens who neither know nor care that Israel exists because of events in Europe over two millennia, but the Jews who live in Israel know this very well.  Most people I know may not know or care that the Grand Army of the Republic raped, murdered and burned its way through the South (1), but the people who live in the South do. 

Other people know their history, whether or not you care to know their history.  Maybe you don't agree with that history, maybe you think they got it wrong.  That doesn't really matter, what matters is what they think their history is.

11. Do not get involved in someone else's problems without thinking twice.

I think this one should be self-explanatory but obviously not.  If you break it, you buy it.  I am not sure we were much responsible for Iraq being a nightmare of problems before we got there, but we sure are involved now.   Afghanistan is an amazingly complex, historically rich area (note, not country, area) and we did have something to do with making it what it was before 2001, but not as much as some people think (2).  But the Sunni and the Shiites in Iraq are at each other's throats, again, and that is not going to stop anytime soon.  The people who live in the place we call Afghanistan are never going to stop growing and selling opium as long as there is a demand for it. And they are never going to stop being corrupt in our eyes, because in a deep and fundamental way they don't see it as corruption or they don't care what we think.   And the rich of Kandahar will famously "keep" little boys for sex as they have for a long time and you wont stop them unless you kill them all. And I don't think we should kill them all, personally.

12. Be careful what you ask for and think about what happens next.

Saddam Hussein ruthlessly suppressed his Shiite majority in Iraq, I hear.  Those Shiites are the cousins of the Shiites that rule Iran with an oppressive, women-hating, Jew-hating, Sunni-hating theocratic dictatorship.  You get rid of Hussein, the Shiites who are a majority in Iraq come into power, and wish to ally with and maybe imitate that lovely theocratic Iran next door.  Good move, boys.

13. Wars do not always go the way you want or expect.

Many Americans are used to believing that a war will go their way, that they will be victorious in some sense of that word.   This is sheer delusion and ignorance.  First, Americans have not always won wars but many wars end with ambiguous results.   Second, you can win and lose a war at the same time.  Third, you can win every battle and still lose the war.   Fourth, wars have a life of their own, and unexpected things happen.  A small war may become a big war and a big war may become an annoying small war.   You will not know for sure going in.

Therefore and in conclusion, if a war is discretionary, and not all wars are, think real hard before you start it. All of the points above apply now and in the future. And if somehow one or two of them do not apply, then consider yourself lucky.

Now, are you really, really sure you need to start that war?

__________________________

1. Sherman's "March to the Sea".

2. Read Steven Coll's "Ghost Wars" about our involvement in Afghanistan after the Soviet Invasion.  We did support the resistance against the Soviet Union, but our involvement was always with the Pakistani's and the Saudi Arabians, and they have had much more to do with what transpired than we did, in spite of our self-image as being all powerful.   We were one of many players in that episode.
http://www.amazon.com/Ghost-Wars-Afghanistan-Invasion-September/dp/0143034669

Tuesday, January 8, 2013

The Noble But Futile Gesture of Paul Rand


As part of our passive aggressive effort here at Global Wahrman to educate youth, we feature today one of the greatest American graphic designers, Paul Rand (1914-1996). You have seen his work all your life.







In 1992, Paul Rand, resigned from the faculty of Yale University as part of a protest against postmodernist theory. Exactly what good his resignation could possibly accomplish is a mystery to me, but no doubt it was a noble gesture.   When he resigned, he wrote an essay, "Chaos and Confusion: The Seduction of Comtemporary Graphic Design". (See http://www.paul-rand.com/foundation/thoughts_confusionChaos/#.UO0TS-Sw-Gk)

Complaining about postmodern criticism, which is truly worst case academic drivel, is like complaining that we live in a shallow society: of course we do.   In the case of postmodern criticism we just have that manifestation of shallowness that comes from a self-entitled community of elitist shallow people in contrast to the other types.  And this particular type of shallow people have the career imperative to publish, and furthermore to publish in journals that encourage that kind of shallowness.  Its a positive feedback loop, some would argue, the arts criticism equivalent of the peacocks tail feathers leading to preferential selection by sex-crazed peahens leading to an even more flamboyant set of tail feathers in the next generation.   One day it may disappear in a puff of smoke and itself become the topic of PhD thesis trying to explain the phenomenon.

Since we at Global Wahrman wish to honor the noble and futile sacrifice of one's career in order to make an ethical stand, here is a paragraph or two from this essay.

Monday, January 7, 2013

The Perception of Time and Historical Events


I am fascinated by how we perceive the passage of time and how this effects our perception of history. These perceptions are probably also affected by the region that we grew up in. America is famously said to pay very little attention to history, their own or anyone else's.

I use the following story to illustrate how events that we consider to be very distant in the past were actually not very long ago at all. Growing up as I did in Virginia, the story involves the American Civil War.

My father also grew up in Virginia and when he was ten years old, his elementary school brought a man to speak who had been Gen. Robert E. Lee's personal assistant and valet from before and during the war. He was a black man, probably in his 70s, and he had started working for Lee as a very young man. He stayed with Lee after the war and was with him when Lee passed away in 1870. 





The man my father heard speak was probably the Rev. Wm. Mack Lee.  Mack Lee was well known in Virginia, helped to build many churches after the war, and spoke very highly about Lee.

A short biography of William Mack Lee is here:
http://docsouth.unc.edu/neh/leewilliam/summary.html

The electronic edition of his autobiography is here:
http://docsouth.unc.edu/neh/leewilliam/lee.html

Since my father was ten years old in 1920 and the Civil War ended in 1865, that means that the Civil War had been over for about 55 years. What I find fascinating about that is that World War II, which was one of the defining events of my father's generation, has been over for longer than that (almost 70 years).

In other words, we think of the Civil War as being impossibly long ago. But for our parents, it was more recent than World War II is for our 20 somethings that we work with.

Many of the issues that we have in this country today are in many ways a result of those two wars. They were just the day before yesterday in the bigger scheme of things.

________________________________________

For those who are interested in such things, Mack Lee, who has the same last name as R.E. Lee was a slave originally for the Lee family, and stayed with Lee when he was freed in the course of the war.   What I find amusing is the southern tradition of keeping the same last name, e.g. if you were a slave for the Lee family, you were also a Lee.   I have many friends who are part of the Carter family (e.g. Carter Burwell, Carter Emmart, Jimmy Carter, etc) and they report that there are a lot of African American Carters around.  Well, maybe I should say this is interesting, not amusing, given what we are talking about here.

Sunday, January 6, 2013

The Shocking Truth about Roman Architecture in France

[Revised 1/7/2012]

This is the story of the first time I actually saw a Roman ruin. I think it is very funny for what it says about me, and maybe, just a little, about how some of us perceive various cultures and periods, perhaps without realizing it.

My high school had a fabulous Latin teacher (1) and I took advantage of the situation, taking many years of Latin and learning a lot of Roman history.   I may have been somewhat influenced by the fact that my high school combined the advanced Latin classes between the Boys and Girls school, so you had to go to the Girls school to study Latin.   Such were the lofty motivations of my youth.  I read Roman and Aegean history and related topics even now and I assure you the past isn't over, it isn't even past yet.

If you never studied Latin, to give you a feel for how nouns are declined and verbs conjugated, see this sequence from Life of Brian (1974) in which anti-Roman activist Brian is trying to write "Romans Go Home" and is corrected by a Roman Centurion.

http://www.youtube.com/watch?v=XbI-fDzUJXI

But, to my chagrin, I have never been to Rome. We were not of that economic class that could afford such things when I was growing up, and when I was productively employed as a young adult, I had not arranged a trip. Then I got involved in computer animation and of course my life went to hell and I still haven't been there, except of course in books.

But like so many others of my generation of computer animation, I was invited to speak at various European conferences during the late 1980s, which provided an opportunity to see at least some of Europe. So, after one of these conferences, Imagina, I arranged for a friend of mine to meet me in Monaco and we would sight see for a few days in the south of France.

So my friend, Paul Cross (2), met me at the conference and we rented a car and started driving through Nice on our way to Nimes. As we stopped in Nice, I pointed to a building and said, "Look, Paul, someone has built a building and made it look Roman."


I am still looking for a suitable picture.  This one has some of the right feel, but it is not integrated into a major current building on a busy street, like the building this post is about.


Paul looked at it and said, "No, Michael, it is Roman".

I thought that was a weird thing for him to say, so I repeated myself and tried to explain, see, someone has built a building and made it look really old and Roman. Isnt that nice?

In Los Angeles, you see, we regularly theme various venues based on classic European and other civilizations, including our own. We might have a Chinatown, for example. Disneyland would have a Fantasyland including a notable synthesis of many medieval castles at the center of the park. The little tourist town of Solvang in Southern California has a Danish theme, complete with windmills. Our Japanese restaurants such as Benihana entertain guests with a performance that is alledgedly at least somewhat Japanese in origin. Santa Barbara is zoned for a traditional Hispanic style.  Although most studio backlots have been repurposed as real estate development, a few still exist with their various themes: a New York street, an Old West street with its saloon, a small town America main street, and so forth. Theming is a major design concept in use in our local commercial architecture and culture.

So clearly, what we had here was a modern building that had been designed using Roman antiquity as a theme. I thought it looked good, although perhaps they went overboard on some of the "ancient" aspects of it, as the Roman section clearly had seen better days.   

My friend just kept explaining to me that no, they were not pretending to be Roman, that Nice was in part an ancient Roman city, and it actually was Roman.  That's interesting, I thought, it had never occurred to me that it might not be fake.

_____________________________

1. His name was Anthony Ruffa, I think.   Before taking an exam, some of us would say to ourselves, "AVE RUFFA MORITURI TE SALUTANT"  ("Hail Ruffa!  We who are about to die, salute you!")

2. Paul Cross is a very amusing person, and an alumnus of Symbolics.  He moved to Taos, New Mexico and helped set up one of the internet not-for-profit web sites for the Taos Pueblo.   He has disappeared, and is hopefully doing well wherever he is.

Saturday, January 5, 2013

Visual Effects Bake Off 2013, Part 2


I find the Bake Off to be extremely valuable and always regret missing it, even when I can not stand it anymore and have to walk out to the lobby. (Procedural note: since I am not a member of the Academy VFX Subsection, I can not vote, so I am not required to watch the whole thing).

Among the positive attributes are running into friends and colleagues whom I rarely if ever see at any other time of the year. One of my favorite people, Dennis Muren, I *never* see except at the Bakeoff. Last year he said one of the best things I have heard about the current state of visual effects:

"The problem with special effects is that they are not special anymore."

And there is value in seeing the current state of the art from many different projects projected in an excellent screening room one right after the other. Its amusing to try to guess what the theme of the year will be in advance: space battles? giant robots? hordes of zombies?


Notice the reflections on the bottom of the martian attack vehicle

One of the annoying downsides of watching these 10 minute sequences back-to-back (with some gap between them for the introduction of the next one) is the sheer volume of noise involved. You see, visual effects are occassionally used for those gentle and romantic moments, but not all that often, actually. Usually they are used when the director feels the need to blow up a city, or drop a spaceship on a bridge, or have one giant robot sensitively punch another giant robot in the nose, and these are loud, generally speaking, even in a vacuum in outer space. I remember once being in the lobby of the Cinerama Dome in Hollywood (on the telephone of course) while an unnamed very successful effects film was screening, and noting that I could always tell when there was a major effects moment because they were usually synchronized with the subwoofers in the theatre, which from the outside, sounded like a big truck slamming into a wall at 90 mph. About every 30 seconds or so, another truck would slam into a wall, it was sort of amusing. But at the Bakeoff, it may be more like every 15 seconds or less, and it is not muffled. The first 100 or 200 times that happens it can be entertaining, but after a while it starts to get old.

Thursday, January 3, 2013

The Academy Visual Effects Bake Off, Part 1


This is the boring part of the post in which I explain the background of the Bakeoff to those who do not know. The fun stuff is all in the second part, if I write it.

The Bakeoff is tonight which is why I can not attend. It used to be the second or third week in Februrary but it has been moving up earlier and earlier. Now it is Jan 3. And instead of 7 excruciating and boring films to see sections of, you now get to watch 10 boring films.

If you have never attended this event and you are the least bit interested in visual effects, then you should make a point of trying to attend one year. The way it works is that the general public is welcome on an available seating basis. You are not permitted to vote, of course, nor are you permitted to ask questions, or sit in the reserved seating.


We're here for the bakeoff! 

1. Here is how a film gets nominated for visual effects. A smoke filled room of "worthies" meet and choose some number of films that are called the "long list". These films have to fulfill certain rules about how and when the film was screened to be eligible, and the producers of the film have to nominate it in this category, listing four people, generally as the people who will be nominated or win, should they be so lucky. The smoke filled room reviews this list and in a completely impartial manner (ha!) chooses the films that will be considered. You can be quite sure that there are no politics in this choice, as we will discuss at some point. (The politics are not too bad, generally there are always a few questions about which films get on the long list, but the major contenders are always there).

Recalling the Days When People Were Merely Called Eccentric


These days I am always careful to look whomever I am with in the eye. Why is that, you may wonder. Well, it used to be, back in the days when people were merely neurotic, I developed an affectation of not looking people in the eye. Beats me where it comes from, I think it has to do with being a little shy. But be that as it may be, these days if you do not look someone in the eye, you obviously have Asperger's Syndrome, and thus must be a barely functioning victim of an autism spectrum disorder. Thus I always make sure to look whomever I am talking to in the eye, at least once, during a conversation. Clever, eh?

I wish that my colleagues and peers would maybe realize that these DSM classifications are not to be thrown around casually, and that doing so is not only incorrect, it is also rude.

Perhaps we could return to a simpler, more innocent time, when someone was merely eccentric and colorful if he was a non-conformist.   That would be ever so much more accepting and positive, don't you think?   This trend of badly diagnosing someone's mental disorders and accusing them of it (or discussing it behind their back) is neither helpful nor accurate.


Eccentricity

Also, and I hate to mention this, but those who live in glass houses should not throw tactical nuclear weapons. It seems to me that the last five people I know who have "diagnosed" me with Aspergers should perhaps look to their own house first.

Even a casual study of the history of such things, these labels for eccentricity, show that society moves fast here.  One period's classification, for example, "moron", becomes a later periods' schoolyard insult.

In fact, I am "in touch" with my mental disabilities, if that is what they are, I think I have a good handle on them.  I am well aware that I am in many respects an outlier.  Some of the issues that some would see as a disability, I have become quite fond of, anyway.   The problem is not their diagnosis or management, per se, it is paying for their management in a society that seems to thrive on punishing the poor.   In other words, my problem is not ADD/ADHD or whatever, my problem today is cash flow.

Thus if you want to be a help, rather than throw diagnosis at me, throw money and that would certainly help me to be better adjusted.   Just trying to be practical here.

_______________________

The Diagnostic and Statistical Manual of Mental Disorders on Wikipedia
http://en.wikipedia.org/wiki/Diagnostic_and_Statistical_Manual_of_Mental_Disorders

DSM-IV TR (Text Revision)
http://www.psychiatry.org/practice/dsm/dsm-iv-tr

DSM-V (In Development)
http://www.dsm5.org/Pages/Default.aspx

Eccentricity
http://en.wikipedia.org/wiki/Eccentricity_(behavior)

Outlier
http://en.wikipedia.org/wiki/Outlier

Sunday, December 30, 2012

The New Sport of Reading Crazy Internet Comments

[Revised 12/31/2012 to add details about the comments]

There is a new sport in town, a new dance craze if you will, everybody can enjoy it. The sport is reading the comments of the biped mammals to a topical news article. For every rational response, there is at least one irrational one, or so it seems.  Topics that set them off include Radiation and Nuclear Power, 911, Obama, Climate Change and Global Warming, and the Economy.

The irrational comments fall into a number of categories, they represent a broad diversity of insanity. It would not be fair to characterize it all as right wing ranting because there is, depending on the topic, a certain amount of left wing insanity as well. It depends on the topic.

In this case, the topic is a lawsuit filed by crewmen of the USS Reagan who participated in the humanitarian efforts during the nuclear meltdown in Japan. They are claiming that the Tokyo Power company deliberately lied about the level of radiation exposure and caused the plaintiffs unnecessary harm.


Go to the bottom of the article, there will be a few comments, and click on "load more comments". Keep clicking until you have had enough.

Here is a summary of some of the comments:


Saturday, December 29, 2012

The Opening of The Mummy (1932)


As we examine the origin and history of visual effects, from time to time we will come across masterpieces of the art of the opening title. There is a short list of such openings, openings that define the genre and which are as good as the cinema has ever done. Others, though a little more dated, are still important and can be appreciated if you can find your inner child and put yourself in the movie theatre in 1932.

Here we review the first 90 seconds of the 1932 classic The Mummy directed by Karl Freund and starring Boris Karloff.

I quote the words from the Scroll of Thoth:

      Oh ! Amon Ra! Oh ! God of Gods !
      Death is but the doorway to new life
      We live today, We shall live again,
      In many forms shall we return, Oh Mighty One.










The sequence on Youtube:

Careful readers will notice the single credit for Special Effects on card #4 above.  Also note the reference to the character "Frau Muller" who perhaps reprises her role in Young Frankenstein (1974).

Now remember what we are talking about here. A classic Universal horror film in the days before television, before even color film, intended to be viewed on a Saturday afternoon for a nickle. To my mind, the titles and music are perfect and completely introduce the movie.

You should do as well when you do the opening titles for your movie.

The Mummy on IMDB
http://www.imdb.com/title/tt0023245/

Poetic and Ecclesiastical Implications of Adopting the Metric System


Americans have often heard the assertion that we should adopt the so-called Metric System and that failure to do so is old fashioned and will hurt our competitiveness in the world market. I believe these advocates are disingenuous and are hiding their real reasons, that in fact they are part of a conspiracy to destroy America by pushing it down a path of radical reform that will inevitably lead to chaos, atheism and poetic inelegance.

Advocates of the metric system generally fail to reveal where it came from and for good reason. The Metric System was created during the French Revolution as part of a comprehensive effort to do away with the ancien regime in all its forms. Of course advocates of this radical system never tell you that. But one thing will lead to another.

What comes next after the Metric System? Inevitably it will lead to calls to adopt the Revolutionary Calendar. If you thought that going between Daylight Savings Time and Standard Time was disruptive, just wait until you experience 10 hours per day, 100 minutes an hour, each minute some ridiculous commune-inspired number of seconds! The months will be named for the seasons of Paris: Vendemiaire, Brumaire, Frimaire, Nivose, Pluviose, Ventose, Germinal, Floreal, Prairial, Messidor, Thermidor, Fructidor. Or will we use the British versions, Vintagearious, Fogarious, Frostarious, Snowous, Rainous, Windous, Buddal, Floweral, Meadowal, Reapidor, Heatidor, Fruitidor? What will good American holidays become in this new system? Will Mother's Day be in Germinal or what? How about the 4th of July? And everything will have to be dated from 22 September 1792, of course.

From there it is only a short step to striking at the very heart of America, our devotion to spiritual values. You can be sure of attacks on the church and calls to require people to worship at the Cult of Reason or the Cult of the Supreme Being. No doubt, all preachers and pastors will be arrested and sent to re-education camps.

Inevitably, these so-called reformers of society will insist that we rewrite all literature to conform to their radical notions. Take for example the opening of the following well-known poem:

      Half a league, half a league, half a league onward,
      All in the valley of Death rode the six hundred.

No doubt this will be outlawed and children will be forced to memorize:

      2.778 kilometers, 2.778 kilometers, 2.778 kilometers,
      All in the valley of Death rode the six hundred.

That is the kind of wickedness that these advocates of a so-called more logical system will promote. Chaos will reign, good Americans will never stand for it, there will be violence in the streets as these radicals use force to impose their revolutionary vision.

I urge all true Americans to resist this evil and oppose the Metric System.

Thank you.