In 1985 the movie Rambo, though set in the postwar period, took this logic to its conclusion, projecting the Vietnam War not as a high-tech U.S. invasion of another country but as a heroic American guerrilla effort to rescue captive Americans. (1)
It is an article of faith among those of left-bent that Rambo is a series of films that is jingoistic, American right-wing response to defeat. I have read this comment and discussion of the Rambo phenomenon iterally dozens of times in print in the most prestigious of intellectual periodicals or academic journals.
Its true that the sequels are silly movies about special forces rescues and other improbable things, but hey, its a movie, goddamnit, lighten up.