Showing posts with label explanation. Show all posts
Showing posts with label explanation. Show all posts

Friday, November 11, 2022

Andor and the Explanation Triumphant

draft

As we have discussed, it is "the explanation" that is the better part of filmmaking.  Forget and leave behind the pathetic necessity to "show something" to "demonstrate something on the screen".  Some pointless visual effects.  Some ridiculous action sequence.  No, the most important part of the film, the play, the whatever, is when a character explains to another character what is going on, what they believe, what they are thinking, what they have been hiding.

I dont know where the series Andor is going and whether it can maintain its momentum to transcend, to rise above the pathetic Star Wars mythology with its emphasis on giant cosmic eggs / death stars and its Joseph Campbell-esque "hero's journey" so simple, so overused. 

No, what we need is two adults, desperate and alone, who reveal their plans, their hopes, their dreams, their failures, their secrets.  To reveal, at least in part, what is going on.  
 
Forget your battles between giant robots, that is for children.  

Episode 10 of Andor has a classic in the explanation genre.  It even has a little craft from the intelligence world.  It seems the rebellion has planted an agent in the empire security service.  This agent requests a meeting with his handler to warn him and to resign.  And the handler, in classic intelligence fashion, tells his agent that he can not resign, that he is trapped.  And then the handler explains his sacrifice, his motivations, his fears as a way of reminding the agent that he is not alone in regretting, in part, the price he has paid.

They did a really good job.
 
 
 

 




Tuesday, October 22, 2013

The Repressed Lust of the CIA Analyst in ZDT

[revised 11/24/2013]

I just saw ZDT, or Zero Dark Thirty, that controversial film by Kathryn Bigelow. I expected to hate it, but I actually loved it and I believe, modestly, that most people have misunderstood this movie but that I understand the director's vision.

This is not a movie about Osama Bin Laden, terrorism, torture, or any of that.

This is a movie about the repressed lust within obsessed CIA analysts.








This is a beltway bodice ripper 1 about Maya, the waif-like, strong yet vulnerable, intelligent yet feminine, CIA analyst who single handedly finds the bad guy and saves the world. Why don't you men just listen to me?, she seems to be saying. I am woman! I am strong! I wear a conservatively tailored suit!

But deep inside that slender, athletic, neurotic, nearly anorexic female form lurks a hot volcano of repressed sexual desire.

In the shadows of the secret hanger, surrounded by 30 or so alpha males any one of which could rip her apart like a fried chicken wing, Maya is turned loose by her long-suffering CIA bosses to tell these bearded, athletic, casually dressed, men what their secret mission is.  

Does our angry CIA analyst enjoy the intense attention that these men pay to her?   They *do* pay attention to her, in the hanger, in the desert and God only knows where else.

And Kathryn Bigelow knows only too well what men like our Seal Team 6 find attractive: sports, stealth helicopters in secret hangers, and intense 26 year old repressed redheads.

Completely deadpan, the total professional, she basks in their attention and explains where she believes Bin Laden is hiding.   The men are gruff, uncertain, hostile.   A mistake could land them in Pakistani prison for a very long time.

But her confidence wins them over.

Notice how much more relaxed she appears after spending a week or two "training" with her men in the desert.   There in the desert the M-to-F ratio is probably about 75 to 2 or 3.   If that.   She could have her pick of the litter.   



She looks more relaxed and happier, somehow.

ZDT on IMDB

____________________________________________________

Notes

-1.  The sequence of the briefing of the Seal Team by Maya is also a brilliant example of an explanatory scene, the highest form of filmmaking.  In explanation cinema, the characters just talk to each other and explain things, no actual action is necessary.   In this case, notice how the Special Forces guys make the context switch between thinking they are there for a mission in Libya to the much more interesting project of taking out UBL.   Their reaction is very amusing and is one of the reasons that I think that this movie has value.
http://www.youtube.com/watch?v=6kG4k21PoCs

0.  The day that this post went live my blog received the single largest number of views / hits of any other single day in its life.  Proving one more time that sex sells.

1. A bodice ripper is a type of romance novel. Wikipedia has a good introduction to the categories of the genre and how it has evolved.
http://en.wikipedia.org/wiki/Romance_novel

2.  Has "Beltway bodice ripper" been used before?   Did I just make it up?   The Beltway, for those who don't know, is the term locals use for Washington DC.

Friday, February 8, 2013

Great Performance Reviews in History: Lawrence of Arabia


Since employment and the search for employment seems to be on so many people's minds, I wish to share with you what I believe is one of the best "performance reviews" in film.  There are a few others, some more comical than this, but this is perhaps the best of the serious reviews.  It may even have some basis in fact.  That is less clear.

In this sequence, T. E. Lawrence, aka Lawrence of Arabia, has just come out of the desert and announced that he and the Arab Revolt have taken Aqaba. He is escorted into the presence of his commanding general, General Allenby, who is many levels above Lawrence's nominal chain of command.

Of course, this is from David Lean's Lawrence of Arabia (1962) starring Peter O'Toole as T. E. Lawrence. 

The sequence is here, until Youtube takes it down.


 The Review

Allenby reviews his file, questions his actions, promotes him, and builds up his morale to motivate him to go back and continue his work. How many of us can say that we have had as well-informed and insightful a review, or one designed to help us do our best work?

Lawrence, who of course realizes he is being manipulated, tells Allenby to his face, "Youre a clever man, sir", and through his presentation makes it clear that he is accusing Allenby of doing something nasty by rewarding Lawrence and making him like it.   I don't know about you, but I think that is pretty funny.  


Allenby manipulates his employee by telling him he has done a good job, promoting him and buying him a drink.  What a tricky, low down thing to do!


As background on the film, many of the key plot points in the movie are historical.   Which is appalling when you think about it.   Of course any detail or dialogue or colorful incident at an oasis or whatnot is certainly fiction, at least to some degree.   I am not sure if Lawrence ever met Allenby or if Allenby invited him for a drink at the Officer's club.  I would tend to doubt it, but I do not know.  But I think that we can be certain that if they did meet, whatever they said to each other was different than what we see here.

The performance review:

Allenby: (reading from a file) Undisciplined .... Unpunctual ... Untidy ... Several languages,
knowledge of music, literature, knowledge of ... , knowledge of ... You're an interesting
man, there is no doubt about it. Who told you to take Aqaba?
Lawrence: Nobody.
Allenby: Sir.
Lawrence: Sir.
Allenby: Then why did you?
Lawrence: Aqaba is important.
Allenby: Why is it important?
Lawrence: Its the Turkish route to the canal.
Allenby: Not anymore, they're coming through Bathsheba.
Lawrence: But we've gone forward to Gaza.
Alleny: So?
Lawrence: So, that left Aqaba behind your right.
Allenby: True.
Lawrence: And it will be further behind your right when you go for Jerusalem.
Allenby: Am I going for Jerusalem?
Lawrence: Yes.
Allenby: Very well, Aqaba behind my right.
Lawrence: It threatened El Harish and Gaza.
Allenby: Anything else?
Lawrence: Yes, Aqaba is linked with Medina.
Allenby: Do you think we should shift them out of Medina now?
Lawrence: No, I think you should leave them there.
Allenby: You acted without orders you know.
Lawrence: Shouldn't officers use their initiative at all times?
Allenby: Not really. Its awfully dangerous, Lawrence.
Lawrence: Yes, I know.
Allenby: Already?
Lawrence: Yes.
Allenby: I'm promoting you Major.
Lawrence: I don't think that's a very good idea.
Allenby: I didn't ask you. I want you to go back and carry on the good work.
Lawrence: No, thank you, sir.

For those who are interested, the scene where Allenby announces Lawrence's promotion at the Officer's club is here:
https://www.youtube.com/watch?feature=endscreen&NR=1&v=0VGBDYeEAVk

See also:

The Arab Revolt

General Allenby, 1st Viscount Allenby

Thomas Edward Lawrence

Lawrence of Arabia (1962) on IMDB