Memo to Warner Bros: Dont Be Stupid

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I had written what I suppose was a humerous take on Suicide Squad (2016), but in retrospect it is just not a funny matter.

The film is a disaster and deserves to be held up as a world-class example of what not to do. For those of you who do not do this for a living, or who have not studied this craft, we are not talking about vague, aesthetic, mumbo jumbo here. We are talking about basic, straightforward, principles of art. Principles which you can of course violate if you are a genius and know exactly what you are doing. But if you are not a genius, and these people clearly are not, then you had better pay attention.

I am going to go over the details in just a moment, but before I do I want to put the knife in. The WB executives who managed this piece of shit do not deserve their job. Anyone can do better, or said differently, it would be difficult for someone who had been around this stuff for a while to do worse.

What is particularly sad about this train wreck is that there are some very good characterizations here. The Joker, Harley Quinn, Deadshot, the Enchantress are all excellent, IMHO. Its the story(ies) they were made to serve that suck.

Enchantress is such a babe and totally wasted in this movie

Some of the following are technically story structure faults and some of them are pure writing faults.

1. We have three movies here, or at least parts of three movies. One is a movie in flashback form of the Joker and Harley Quinn, their romance and Harley's origin story. It could have been great, but it wasnt completed and besides it should not be told as a flashback. The second movie is the Amanda Waller / Suicide Squad story to defeat Enchantress. And the third is the Enchantress story, what happened to her, and her desire for revenge. The last story is the one that is least realized. The one of the Suicide Squad mission is the most hackneyed. Either story 1 or 3 would have been more interesting.

2. The introduction of the characters for movie 2, Suicide Squad, is hackneyed and unnecessary. The mug sheet, attributes of the character are unnecessary and look forced because they are forced. Making them dance around in fancy type does not help. Maybe this worked in comic book form, I dont know, but it doesnt work here.

3. Here are some examples of bad writing. First, if you are going to send these creeps out with a special forces team, then they are going to have to train together. No special forces team would consent to go on a mission otherwise. But our writers clearly know nothing about special forces. Second, if you are going to turn ordinary humans into blob heads, explain why. How much better to have turned them into something that made sense in the context of the Enchantress. How about ancient Aztec warrior slaves? That would have been interesting, you know pulling people's hearts out of their chest, that sort of thing. Third, if you are going to just blow up the Aztec Brother with a fucking bomb, then why not just saturation bomb the place. The AF has lots of fighter-bombers with 500 lb. bombs that would do a lot better than that stupid charge. Fourth, what exactly was the Enchantress trying to build? What does it do? How? Why? What is the junk in the sky? What purpose does it serve?

The answer is that it serves no purpose.  The writers dont have a clue what they are doing.

4. A personal pet peeve of mine is to have a crash of some vehicle and then have people walk away. No, you do not have a helicopter crash and then roll it over a bunch of times without everyone inside having broken ribs, or crushed vertebrae or worse.

Listen up!  A helicopter crashes and rolls over a bunch of times, then two things are true. First, it explodes. Second nobody walks away. Got that?

This movie is worse than just a bad movie, it is a waste of good talent and a good opportunity. The executives and filmmakers who perpetrated this disaster should be ashamed of themselves.

Background Material on Wonder Woman

Now that the Wonder Woman movie is really coming it is time for all of the readers of this blog to be up to date on the fabulous secret history of Wonder Woman.

Impeccable feminist credentials combined with a fabulous unconventional sex and marriage relationship between Marston and the two women who lived with him and raised his children result in a story that is very modern and rewarding.

The person who set off this whole revisionist look at Wonder Woman, if that is what it is, is Jill Lapore of Harvard and the Smithsonian Magazine article is by her.

See

Smithsonian Magazine article by Jill Lapore

http://www.smithsonianmag.com/arts-culture/origin-story-wonder-woman-180952710/?no-ist

Atlantic Magazine article which goes into more detail about "kinky sex"

http://www.theatlantic.com/magazine/archive/2014/11/wonder-womans-kinky-feminist-roots/380788/

NPR article

http://www.npr.org/2014/10/27/359078315/the-man-behind-wonder-woman-was-inspired-by-both-suffragists-and-centerfolds

For those of you sadly out of touch with popular culture, Wonder Woman had a modern cameo that is considered the high point of Batman vs Superman: The Dawn of Justice (2016) and her own movie is being prepared for which a first trailer has been issued and can be seen at the following link.

https://www.youtube.com/watch?v=1Q8fG0TtVAY

IMDB page on Wonder Woman
http://www.imdb.com/title/tt0451279/

The Superiority of the Marvel Universe over the DC Universe Explained

Any all-encompassing theory that attempts to explain why the Marvel CInematic Universe is in fact a valid metaphor and framework for expressing the nuances of our civilization must also explain why the MCU appears to be so much better than the DC Extended Universe. I believe that there are three fundamental reasons why this is so and will expound on this today.

But first lets discuss where the differences do not lie. Films in both universes have to contend with world-threatening villains who plan to destroy all humanity, that goes without saying. Films in both universes also have to balance these terrifying cataclysms with threats that are closer to home, thus we see cruel intergalactic forces threatening school buses filled with innocent children or civilians in both movies, in which the occupants are saved in the nick of time. No cheap exploitation of the emotions of the audience here.

Nor does the difference lie in a sometimes bewildering network of plotlines of various meta-human, mutated and/or intergalactic good or bad guys or gals. This sort of thing naturally comes with the territory and both of these universes deal with the narrative implications in an adequate fashion.

And it is not in the quantity or quality of the visual effects per se that we see our major differences. Both of these universes have their share of chair gripping, physics defying, perfectly conceived and choreographed disasters that involve entire cities and thousands of innocents in a narrative of alien hatred or world dominating conspiracy.

Wherein lies the differences between the two cinematic universes?

1. The DC Universe is grim and the Marvel Universe is not.

In the latest Superman and Superman vs Batman films, I counted exactly two jokes in both films. Let me go over that again in case I was vague. There were only two jokes in the entire second film and none in the first, although it is possible that there was a 1/2 joke in the first film. Whereas in the Marvel films, there actually is some humor in the dialogue, and some of it is actually quite funny. For example, doing this from memory.

Dr. Banner: (referring to Loki) You can smell crazy on him.

Thor: Be careful how you speak, he is my brother.

Natasha: He killed 80 people in two days.

Thor: He is adopted.

2. The sheer mayhem of the visual effects in the Marvel Universe is without equal.

Sure DC has a huge quantity of stupid visual effects, like everyone does today. But I felt that these effects, although well designed, and sometimes even innovative (see for example the krypton / machine interface in the first Superman movie) they lacked the sheer exuberant madness of the visual effects of the Marvel films, or at least some of them. Consider these frames from one of the fight climaxes of the Age of Ultron monstrosity. I bet you can not even figure out how many good or bad characters are fighting, let alone who is decapitating whom. I think that it is this out of control mayhem combined with the humor mentioned above that lends a certain quality to the Marvel films.

3. We have seen the DC films before and we will see them again.

The greed obsessed studios behind the DC films have made it clear that sequels and reboots of previously examined properties will continue into the future over and over again. How many times will we see a reboot of Batman and Superman? They will be endless, they will be infinite. We will see Superman's father explain to Superman that he is not from Earth again. We will see the young Bruce Wayne witness his parents getting murdered and be horrified, again.

Whereas the Marvel films give the impression that they are actually going somewhere with their different phases and do not plan to revisit the same old material repeatedly.  At least not yet.

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Notes

1. In Batman v Superman: The Dawn of Justice (2016) there may be two jokes.  One, when Batman rescues "Martha", Superman's mom, he says "I'm a friend of your son".  She says: "I could tell by the cape.". Not too bad. Better still is when Batman, Superman and Wonder Woman are preparing to take on the horrible monster at the end, there is some references to this critter being from another world. Wonder Woman says, "I have killed creatures from other worlds". Batman looks at Superman and says, "Is she with you?" Superman says, "I thought she was with you." I may have this backwards, I am doing this from memory.  These are both pretty reasonable moments of humor but that is it, that is all there is.  Its not enough, IMHO, to alleviate the endless grimness. Yes, comic book superhero movies are important, God knows, but important does not have to mean unrelieved grimness. We are not talking about genocide here, you know.

Oh wait, in the first movie, Man of Steel (2013), we are talking about genocide.  Ok, maybe they should be grim.

Is the DC Extended Universe Also a Metaphor for our Civilization?

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This essay began life as an inquiry into whether the movies of the DC Extended Universe have the depth, integrity and metaphorical richness of their main competitor in the world of cinematic graphic novels and super heroes, the Marvel Cinematic Universe.

I used two films as an entry point into the DC Universe, the Zack Synder Superman movie Man of Steel (2013) and his wildly disliked Badman vs Superman: Dawn of Justice (2016).  But after viewing these two very strange films, I now realize that whatever is going on here is going to require more thought.

But lets start at the beginning.

It has been proposed that our cinema has moved beyond the "giant robot" to the comic book superhero as a metaphor for our civilization. Certainly a more nuanced metaphor would be hard to imagine than the classic American comic book with its superheroes, supervillains, women in spandex, alien menaces, and so forth. But not all superhero universes are created equal, and they are certainly not all translated to the big digital screen in the same way and with the same sureness of purpose. No doubt the Marvel Cinematic Universe has achieved a certain level of excellence, but can the same be said about the DC Extended Universe? On paper, the DCEU is every bit as good, if not better, than the Marvel one. Has it also self-consciously aspired to this metaphorical and cultural transcendence, or has it foundered on the jagged rocks of mediocrity in pursuit of commerce?

This were my organizing questions for my first analysis of this important, critical area..

But the two movies that I reviewed defy an easy analysis.  The first, Man of Steel (2013) is a very unpleasant movie about genocide from the point of view of the person who has it in his hands the power to either save his civilization or condemn it to a final and gruesome death.  And he chooses death for the civilization that created him.  In retrospect, it is a very grim movie with a horrible conclusion. Light hearted would not be the term used to describe this movie. It also completely ignores and dismisses all the unconscious themes of America from the 1930s through the 1950s that made the original Superman so interesting to a student of American history and culture.  It ignores the colorful villains of the Superman canon, retaining only one, General Zod, but it transforms Zod from a villain to a tragic hero, defeated at last by the criminal, mass murderer, Superman.

Batman v Superman: Dawn of Justice (2016) was the most hated movie of this year.  And I can certainly see why as it turns its back on most of what made the two title characters entertaining to watch. Superman is a weirdo who murdered his people and is now a borderline psycho do-gooder who is hated for his mysterious powers and the collateral damage that he leaves at every turn. And Batman is a psycho, a vigilante, and by all definitions, a criminal who uses his vast wealth for his own purposes outside the law. Both see themselves as noble and doing good, but a lot of criminals and murderers in history also thought that.

Of the three leading psychopaths in our movie: Superman, Batman and Lex Luther, it is the latter who is by far the most interesting.

Lex Luther, Our Villain

Everyone hated this movie but me.  I liked it a lot.  It is a really sick film with a very interesting main villain and everyone's favorite lesbian/femdom popular culture icon, Wonder Woman.

Wonder Woman from 1918

Any woman who dresses up in an outfit like that, or looks like Linda Carter or our modern version, the gender ambiguous Gal Gadot, immediately gets my respect and I am interested in anything she has to say whether its about fighting the Nazis or any other subject she may care to discuss.

Since this blog and other things I write often discuss the semiotics and mechanics of visual effects, these two movies are excellent examples of how irrelevant visual effects are to the filmmaking art in so many cases. The visual effects of both movies are very good, possibly even exceptional.  There is some very good design in parts of these two films and they are to be congratulated. They are not even completely excessive as they are in so many movies.  But that said, and I will go over some design elements to highlight them in another post, that while these two movies are helped by their visual effects, the effects are not decisive.  It is the casting, the story and the direction that sets the tone and everything else is in a supporting role.

Whatever these two movies are, they are not trivial, shallow comic book superhero films.  Whether they are a metaphor of our civilization like the more diverse and generally somewhat more pleasant Marvel films are, remains to be seen. But it is interesting that these two tentpole projects for the DC Extended Universe are so very and unrelentingly dark, violent, and without hope.

I think that we should also note that two of the main characters of the second movie, Batman and Lex Luther, are able to do what they do, whether we approve or not, because they are rich.  They may be talented as well, but at the very least these movies touch on the that great American theme, that wealth is required to participate in our society.  If you are without wealth, then I would not count on being permitted to do anything of value.

Eisenberg as Luthor, hamming it up

Although no reviewer or fan has mentioned this, so far as I know, it is the women of Batman vs Superman who steal this movie.  Even when they do not have a speaking part, they are by far the most interesting characters.  And let there be no doubt why I think so, and please don't hate me, its because they pretty much are all desirable, in one way or another.

Our Israeli socialite looking demure.  He has no idea what he is in for.

So what do we have here?  Superman is a stuck up, maladjusted, genocidal piece of unemotional beefcake, and I could not care less about his character.  Batman is a psychopath and a rich kid who looks nice in a suit.  Lex Luthor is at least interesting if a spoiled self-indulgent rich kid. Wonder Woman is fabulous and is what a superhero comic book movie should be about.  Alfred, the loyal butler is an accessory to the crimes of the Batman and always looks like he just came off a long weekend at the bars or being dissolute in some excessive way.

Check out the expression our Wonder Gal as she wields her mighty sword

Whatever else can be said about these movies, they are not light hearted.  Whether they amount to more than the sum of their parts remains to be seen.

Man of Steel (2013) on IMDB

http://www.imdb.com/title/tt0770828/

Batman vs. Superman: Dawn of Justice (2016) on IMDB

http://www.imdb.com/title/tt2975590/?ref_=nm_flmg_dr_3