Coming up Shortly on Global Wahrman

The following topics are all being written in parallel (I dont recommend that strategy) and will hopefully show up on Global Wahrman in the next two weeks.

A. The keynote speech at SIGGRAPH and why I did not attend.

B. Living in Los Angeles in the 1980s and attending many courses at UCLA Extension and the American Film Institute.

C. Should I run a write in campaign for the Executive Committee of SIGGRAPH?

D. Essays on debugging lighting procedures for webgl

E Essays on J Walt Adamczyk and his live dome performance work as well as his exhortation to animators at SIGGRAPH

F. A post on artist Manfred Mohr who was honored this year at SIGGRAPH.

G. Death of a Synthetic Character

H. Working in the Slave Pits of the Rich

Archaeology of the Cold War: The U2 and the History of Overhead Photography

draft

The following post is for those of my readers who are interested in the history of intelligence in this country, particularly during the cold war.   

For those of you participating in my occassional "good citizenship class on the Intelligence Community" and how it works, here are some things I think worthy of note:

1. Projects like this are approved by the President.  2. Congressional approval does not seem to be required back in the "good old days", beyond budget approval.  That is different now, but the details of that will not be apparent in this case, it was before such things. 3. People die.  4. Top scientists of the country devote their time, sometimes without compensation to help make it happen.  5. Some projects are reasonably priced and get done on or ahead of schedule.  6. The different agencies really are different and compete for money and really do want to do things differently.  7.  Projects like this are inherently interdepartmental and ultimately require the agencies to work together.  8. (most importantly) The project helped to deescalate tensions during the cold war on at least three occasions (the bomber gap, the missile gap, the china/taiwan issue).

When the CIA releases a report about a project or projects you can be quite sure that whatever project they are talking about is considered ancient history. In this case we have the release of a report written in 1991 about the origins, operations and results of the CIA ventures in overhead photography via the U2 and A-12 / SR-71 reconnaisance airplanes.

The report itself can be found here:

http://cryptome.org/2013/09/cia-u2-oxcart.pdf

For those of you who are not aware of how difficult the U2 is to fly (particularly to land) please take a look at the following 4 minute Youtube video. It is, among other things, very funny.

http://www.youtube.com/watch?v=eamnTyfkUBY

The Table of Contents:

Here are some items that I found interesting and were (for the most part) new to me.

-- Later uses of the U2 included work for NASA and other agencies to map terrain in the continental US for a variety of land management purposes. This I think was before the LANDSAT satellites.

-- I knew the U2 was not pressurized and had a suit for the pilot that was basically a space suit to keep him pressurized.   What I had not realized is that this is one of the first times that this had been done, the U2 was happening in the mid 1950s and that was before the manned space program, so far as I know.

-- Initial testing of the U2 resulted in a greatly increased number of UFO sightings and lead to Project Bluebook, the famous US Air Force study of unidentified flying objects. At the time the U2 was flying higher than common belief thought we could fly, and was catching sunlight during sunset and appeared to be glowing dot of fire at very high altitude to lower transcontinental airplanes.

-- The U2 is really cheap. Less than $1M a pop in its initial configuration (not including extras like a camera, a crew, etc).

-- The U2 was normally flown out of overseas locations because of limited range. It was not refuelled in the air, apparently. This made its very small operational footprint a big advantage over later airplanes (e.g. it used standard aviation fuel, did not need that many people to maintain it, etc).

-- The U2 was really dangerous to fly. Particularly in the later days when we were collaborating with the Nationalist Chinese to photograph mainland China they were losing planes and pilots right and left.

-- The CIA did not want to run these airplanes or their operations, they wanted to focus on their core expertise which was more in the areas of human intelligence. But Eisenhower wanted a civilian agency to run this so that the overflights would be less provocative. In other words, when a plane was shot down over the Soviet Union, they wanted a civilian to climb out not a Colonel in the US Air Force.

-- The Air Force wanted nothing to do with an airplane that could not be used as a military jet. The U2, fundamentally a powered glider, did not have the ability to take the kind of G forces that a military jet has to be able to withstand, so the Air Force rejected it.

-- The SR-71 project started soon after the U2 project because everyone knew that the U2 would not be immune to air defenses very shortly.

-- For a variety of reasons the A-12 / SR-71 was not used ultimately for strategic reconnaisance. It did have a limited role in tactical reconnaisance but was retired after only a few years.

-- The competition / issues between the CIA and the Air Force versions of the A-12 / SR-71 plane was much more complicated and weird than I had realized.

Regarding photography, we learn, among other things:

-- Kodak invented a new thin film for the U2. I presume this has to do with both the incredible weight limitations and also the need to fit a certain amount of film into a limited space.

-- Lots of cameras and lenses were designed for the U2. Several of them would not fit in the limited space available and had to be redesigned.

-- Apparently some of these cameras are still flying in U2s to this day.

The Uses of Procrastination: The Origins of Pork Barrel and Lobbying

As we stare into the darkness of the inevitable failure of our lives, what could be better than to waste a little time looking up things on the Internet? The Internet is a Bold New Paradigm (tm) and provides endless opportunity to learn a little about nearly everything, as long as what you want to learn is not complete, well-presented or, in many cases, accurate. These are details that have nothing whatsoever to do with its value as a time waster however.

Today I want to enlighten you with two important words in our uniquely American political language. The origins of one of them I have known for a long time, the other I just learned on the Internet recently. So as to give you fair warning, I am going to name those two words now and ask you to think about what they might have originally meant, or what their origin might have been.

The words are "pork barrel" and "lobbyist".

In modern parlance, the term pork barrel politics refers to a congressman arranging for his district to receive some federal project that pumps money into the local economy. This would usually take the form of construction projects, such as highways, bridges, etc. It might take the form of an Army or Navy base, or it might be in the form of a military procurement that spends some of its money in that district. By this definition, the building of the 1st six frigates for the US Navy during the Geo. Washington administration was a pork barrel project, because it began the navy tradition of spreading the work out across as many states as possible to increase congressional support for the project. In the case of the six frigates, each one was built in a different seaport, each in a different state. That is six states out of thirteen, not a bad spread. An informed discussion of this term would have the first use of the term in the congressional record, but I do not have that kind of information here. This is the Internet, after all.

The pork barrel harkens back to a time in history when salt was a major means of preservation of food. In agricultural America, various farms and homesteads would have a central place that might serve as the location of a church, a post office, and a general store. At the general store one might find a variety of goods, bulk foods, hardware, etc. One of features of your general country store would have been the "pork barrel", which was a barrel of salted pork. One would go to the county seat on the weekend, perhaps, and pick up the mail, see some friends, and pick up supplies at the store to bring home to the farm. One would select some salted pork from the barrel and pay by weight, presumably. Thus the analogy of bringing something home to one's constituents from the pork barrel that was Washington. Surely we are all allowed to bring something home from the pork barrel for our families ? That is only fair.

Apparently with the origin of the term "lobbyist" we have an example of a self-reinforcing Internet myth.  Fun but not true.   The lobby in question refers to a famous old hotel in DC which is two blocks away from the White House, the Willard Hotel. It was at one time the only hotel you could stay at in DC and still easily get to the major attractions or see all the possible people you needed to see to do business in Washington. When Grant was president, being one of our more social presidents, he liked to go out for a drink and a smoke, and he usually went to the lobby and bar of the Willard hotel.

The restored lobby of the Willard Hotel presumably without the spitoons that would have been there in Grant's day

This meant that you could hang out in the lobby of the hotel and have a good chance of just running into the president many evenings of the week, and have a few informal words with him on some topic. This became known in town as "lobbying", the people who did it were called "lobbyists", the verb was "to lobby".

Its a fun story, but I am told, just not true.  The origin of the term "to lobby" comes from England and parliament and refers to the lobbies where the members of parliament would assemble before going into the chambers to debate and vote.    The process of researching this word reminds me that the Internet is NOT a substitute for solid reference material, probably in print, next to your computer terminal.

The implication is that the term "lobbyist" is not uniquely American in the least, it is a shared term of art with our brothers in crime, Great Britain.

We hope you have been enlightened and entertained by this vital information and that we have contributed to the wastage of what little time you have left in a suitably amusing manner.

The Willard Intercontinental Washington

http://en.wikipedia.org/wiki/Willard_InterContinental_Washington

WebGL and the Learning Curve Saga Part III

My WebGL saga continues. If we are talking tortoise vs hare here, then I am certainly the tortoise member of this fable.

Slowly but surely we beat the thing into submission. Its not really bad, just badly documented, IMHO, like so much of the GL family. With WebGl we are definitely in a world circa 1982 or so. But MUCH faster than we ever would have achieved in 1982 no matter how rich you were. So we have vast power on all our desktops, but for some reason "we" have "chosen" to program it in a rather low level way. Well, hell, I like low level now and then. I like debugging this stuff that could have been documented but why bother, they can figure it out on their own.

So here is the kind of things I have been working on instead of figuring out how to end war or torture the rich or writing great fiction.

1. The Element Array Debacle

So, for example, if I had been paying attention, I would have noticed that the "element array" feature of WebGL (1) was defined to be a "short" or a 16 bit number. Warning alarms should have gone off in my head but its been a long time since I have programmed 16 bit machines.   Because its a short, the largest number of elements that one can therefore address is 64K vertices. In other words, it is useless for objects that are of modern complexity. Remember there are no higher order surfaces rendered directly by WebGL so we get the appearance of complexity by having a lot of triangles, I mean a lot of triangles, and maybe play with the shading. Maybe this limitation was noted in the documentation but I don't think so.

The result was that I had to rewrite the core of the object viewer to not use element arrays but just use the vertices, and the vertex attributes, etc. It took about 2 - 3 days and resulted in a much cleaner if slightly more verbose piece of code that could actually be maintained if it had to be.

2. The How Many of WHAT Exactly? Problem

The documentation says that you need to specify the number of things you are transferring. Well now, that could mean the number of triangles, or it could mean the number of vertices it takes to specify the triangles, or it could mean the number of bytes that it takes to hold the data, or ...

And the answer is: its the number of vertices you use to define the object. So the count you send is (3 * number of triangles) or (2 * number of lines). Maybe it was obvious to you, but it sure was not obvious to me from the documentation.

3. The Ongoing Normal Mystery

Look at the following picture. See anything odd? Well, its made out of flat triangles, and you should see flat surfaces. Ok, so its interpolating the normals, whats so odd about this? Its just that all the normals for a face (all triangles really) are all pointing the same direction. Unless WebGl is rebuilding the topology of the object by doing a giant vertex sort, there is no way it could be interpolating the normals.

So what is going on? No one knows, but I suspect that it is a bug in my shader that somehow does not compute the diffuse component correctly. The specular would normally and correctly be "smooth shaded", e.g. not show flat surfaces for the most part. So this maybe is just flat shaded, with transparency, and a specular. If that is not the problem then we are definitely in the twilight zone here.

"This war will be over one day".

You get extra credit for knowing what movie that is from and who said it.

____________________________________

1. Where one specifies a line or triangle by keeping a list of vertex numbers rather than repeating the vertex itself over and over again.

Evidence of Vast Improvement in Los Angeles Mass Transit

I have recently been shown evidence that we are on the verge of a vast change in the way we do mass transit in this country. Well maybe that is a little bold and overreaching.   The evidence relates to Los Angeles specifically, not very well known for being progressive in this area.

In order to understand this evidence we first have to discuss certain techniques used to predict the future and also certain aspects of the history of the topic as it relates to the evidence. But don't worry we will get there.

It is a theme of this blog that predicting the future is sometimes easy and sometimes very hard if not completely impossible, but that it is always entertaining. One complicating factor in predicting the future of course is predicting when it will happen. Predicting what will happen is not enough. When is just as important as what.

One technique used is a concept known as the "indicator". The indicator, stolen from the fields of National Security and Economics, is nothing more than a carefully chosen event or trend that is used as a signal that something of greater scope is happening. The price of corn, the temperature of sea water, and whether a nation's troops are mobilized are all examples of indicators.

Recently I have come across solid evidence that we may be on the verge of a genuine revolution in how we do mass transit in urban areas. I suspect that this might be autonomous vehicles, which I discuss briefly below, but it might be something else. The evidence is not too specific although it is clear that something is coming.

Autonomous Taxicab, the JohnnyCab, from the original Total Recall.  If its good enough for Arnold, it should be good enough for us.

I am a firm believer that autonomous vehicles are in our future and that this is a good thing. I think that they have the potential of changing many things about how we deal with transit in an urban and non-urban environment and that many of these changes will be somewhat unexpected. Maybe we will not own cars, maybe we will just call one up from a pool when we need one. People may never have to worry about parking again and a host of other possible changes.

But being certain when this change will happen is less clear. There have been a lot of promising technologies in the past that have never been deployed in real life: people movers, monorails, levitating trains, not to mention personal airplanes and jet packs. And there are many obstacles in the way of deploying autonomous vehicles beyond the merely technical ones. I will mention just two which are daunting: the greed of the insurance industry and the stupidity of local city governments. Just navigating those two barriers will require more skill and probably more money than solving the technological issues.

Consider the following evidence of imminent change.

Slowly, and without a lot of fanfare, Los Angeles is in the process of building two mass transit systems that will reach the west side of Los Angeles. One is light rail, the Exposition Line, and it is well along and already reaches Robertson near Culver City. The other is a subway down Wilshire and it is in the early stages of construction. The estimated completion of all this work is a date well beyond 20 years from now. But there will be incremental deliverables and parts of the system will be in production sooner than other parts.

The Expo Line actually runs to Culver City.  Its like a Miracle from God that they built this thing.  

To understand why this matters you have to realize that mass transit in Los Angeles is different from other places. In other places, mass transit may be controversial, it may be a compromise, it may be expensive, it may be bankrupt, but it proceeds. But in Los Angeles, you literally have world class crime, political malfeasance, and fraud not to mention racism and major lawsuits. Volumes have been written about the stupidity, short-sightedness and corruption (e.g. bribery).  But most of all, this is an area where the politicians and the civic community failed together to find a solution to a problem that was clearly going to get worse.  In other words, they "kicked the can down the road" and hoped that others would solve it.

The problem is that in this area, as in others as well but this is an excellent test case, solving the problems require capital investment, tremendous political will, short-term grief, and a lot of time to execute.   It is an excellent example where naive, one might say, stupid, reliance on "free market solutions" is obviously a failure.   The benefits of mass transit take many forms, but several of them require the system to be planned and executed and in place for a period of time so that things can be built around it and make it all the more useful.   In other words, the transit system may have to be there for 20 years before all the benefits accrue to the investment (through the placement of hotels, universities, theatres, etc).

To ask politicians and citizens in LA to face a problem 20 years in the future and a benefit also 20 years or so in the future is so far beyond their limited intelligence and wisdom as to be beyond funny into farce.   Los Angeles was built for a reason, and that reason resounds in every decision that the civic body makes.  Los Angeles is built on a desire to steal money and fuck people right now, not on stealing money and fucking people in some future day.   This is obvious in the cheap architecture, the lack of zoning to control cheap real estate development, the dumping of wastes into the water system, the failure to control pollution generated by container ships at the Port of LA that causes a substantial percentage of the air pollution in the LA basin (is it 30% ? 40% ? No one knows).

The point is this:  it isn't possible or plausible that LA would just get around to fixing this problem, or at least some of this problem, by building a transit system, eventually.  I don't buy it.  If something like this is happening, it is an indicator, as previously described, of a larger process that is taking place behind the scenes, even if the people executing this idea are not aware of it.  I think that the will of the people and the force of shame and the collapse of the transit system in Los Angeles over the last 15 years or so has finally caused the City of LA and related areas to finally move in an area that should have been addressed 50 years ago and therefore there is no possibility of this being a wise move.  By the time it is done, something will have happened to expose why this was at best a very late decision for LA to make.

Therefore I am very optimistic that we will see a sea-change in urban transit technology in the near future, as these things are measured.  Its about time.

In a later post I will discuss why I am holding back my real feelings here about Los Angeles and their failure to deal with fundamental issues.

I grew up here.  I know where some of the bodies are buried.

Links:

Ancient History of the Expo Line
http://www.kcet.org/updaily/socal_focus/history/la-as-subject/rail-to-the-westside-the-expo-lines-historical-precursors.html

More on the Design of WEBGL and the Origins of .OBJ

We have made a little progress in the last few days on both WebGL and the .OBJ origins issues.

This is an image from the current .OBJ object display software written for WebGL and written in Javascript/DOM/HTML.  Now, I doubt anyone actually needs a .OBJ viewer, its just a way to get familiar with displaying geometry with WebGL.

Instead of just showing you a picture, as I do, below, I should be able to just give you a URL so you can run it yourself, but I can't because I don't actually have a place to post the files for you to address (without seeing advertisements or in other ways compromising or inconveniencing my friends). The only web server I have access to is my own and it has only temporary IP addresses which Facebook will not even let me post. Besides, why bother to post a temporary IP address? I think it is funny how money controls everything, without money, our society says, don't even try to do anything.

So for fun I am posting this dilemma here and on Facebook, maybe someone will know where I can post some number of html and js files in a way that can be accessed by people on the net without inconveniencing them (e.g. no spyware, no ads, no Doubleclick tracking) at a price that even the poor can afford.

Regarding WebGL, once you realize that the designers had gutted it of any even slighlty higher level 3D and that this is a very low level interface to some of the power of the GPU without in any way providing even trivial conveniences for the programmer, everything is fine and you proceed.

I think they did this for good reasons. In the past, by making computers easier to use we opened the doors to allowing people to come in and take away our livelihood. The kind of conveniences I am talking about are trivial and do not hold back an experienced 3D technologist in the least (after they waste their time trying to figure out what the people who redesigned OpenGL were thinking ...).  (1)   So all that happens is that they inconvenience those who are writing their first 3D software and also tend to make such programs written to be a little more obscure because they will all be different (having to reinvent the wheel is trivial here, but since everyone will do it differently naturally it will be a little harder for someone to come in and read and modify because they will have to learn a new convention rather than rely on an industry-wide convention.)

I have no problem with this and in fact applaud it. As a victim of globalization and of the spread of these technologies, anything that makes knowledge that I have more arcane and valuable can only be good.

Regarding the .OBJ matter, we have learned both more and less. The ideas and the general approach to what the .OBJ format became was in the air at SIGGRAPH and the U of Utah in 1979 according to Frank Crow. According to Julian Gomez, there was no software from E&S that would have been an example of a .OBJ like format that would have come from them.   My leading hypothesis had been that the people at Abel's had received some sample software to (for example) load a geometric object and display it on the Picture System.   What would be a normal software development approach would be to start with that program and then write their own software on top of it.   Its an extension of the old joke that Unix only had one device driver (in other words, that everyone modified the original device driver when they had a new device to interface).  Julian may have written one of the first such "display an object" program at Andrews AFB long ago, but it did not use anything similar to a .OBJ-like format.

Julian also suggests that Mickey Mantle, who was in charge of customer support of E&S, may know more.

Thus it is still quite possible that the .OBJ format as we know it was based on ideas that were generally available but not based on specific code from a sample program, as I had expected. In other words, it may still turn out that the Abel version, written initially for motion control preview for Star Trek: The Motion Picture is the one that escaped into the wild (as I believe) and that it originated at Abel's, even if based on ideas more generally available.

 The time when this would have been written by the way is about 1977.

There is more to say, but also more to find out. I have been unable to find any early E&S documentation, for example, which would answer a lot of questions.

If anyone knows how to reach Mickey Mantle, please let me know.

_________________________________________

1. Well, that is not totally true.  OpenGL used to support drawing polygons, convex polygons, directly.  Now only triangles are supported so you have to subdivide into triangles yourself.  The problem is, this is a problem whose general case is actually fairly difficult.  Why not make everyone re-solve this themselves? Its good for them, it makes them think about fundamental principles.   I have no idea what these people were thinking.

Amazing Simulation of 1970s Graphics in WebGL

Its the mid 1970s all over again.

I actually have written my first WebGL application to display a .obj file.

First you have to convert the .obj to a ".json" file, and then type in its name to some code.  But this process which might seem awkward and stupid, is actually all the more authentic.  This makes the application feel even more 1970s with a retro user interface.

The image is of my test object, a viewpoint .obj of a playing card.   By being completely flat, believe it or not, I can test certain things in my code that was useful.  Yes I know, its not the most compelling 3D object you have ever seen, and you would not even guess that the object is lit, but it is.

So far I have only found one incompatibility between Firefox and Chrome, that being the ability to see the "." as in "period" in a javascript program.   Firefox can, Chrome can not.

The great advantage in having all this in HTML is that it provides all sorts of tools for layout, fonts, scrolling and so forth.  Thus the "program log" window on the far left scrolls which was trivial to implement.

Wow!  Thats exciting, isnt it !

Technical Notes

Ok, so the status display is wrong.  In fact this is the line segments of the very flat 3D object that you are seeing.   The display does not become correct until the user rotates the object and from that point forward it is correct.   Fixed in the next release.

More Balanced Commentary on WebGL

No matter how frustrating the process, after a while one learns what can be done with a system and how to get around whatever it is you need to get around.   In this case the surprise was that I simply did not realize to what extent programming WebGL meant actually also working with both Html and the DOM, even though in retrospect it is obvious, and even more than that, this is what you would want.

You want it to be involved with HTML and the DOM or how could it all be integrated into the browser otherwise.

So its all good.  

There are some mysteries in the direction that OpenGL ES 2.0 has taken.   These mysteries can no doubt be explained by the designers, but they haven't done so, not that I have been able to find.  The specific questions involve the extreme position they seem to have taken to remove many things that people who program graphics use.   Its not so hard to implement your own versions of these things, e.g. a perspective matrix, a uniform variable to put it in, etc.   But it does make one wonder why they took it out to begin with?   Maybe they are just trying to be minimal?   That could be good.  But it is a little puzzling when you know the earlier versions of OpenGL and just leap into this and can not find things you expect.

Same question about perspective matrices also applies to lights.

And they seem to have some major browser architecture issue which I will call "the problem of the lost context".   Its annoying but can be managed.

On the positive side, by being so integrated with Html and DOM it is trivial to do multiple window layout and such things as scrolling text windows that might otherwise be difficult.

So far it seems to work and browser incompatibilities between Firefox and Chrome have been minimal.

Corruption and Degradation in WebGL (revised)

This review was written about a week ago when I was first into my learning curve of javascript, html, dom and webGL.  Well, its a week later and I think that what I was really responding to is / was different than what I thought it was.   Its not about WebGL, its about expectations.   See note at the end of the post.

This is a review on the process of learning Javascript and WebGL. The two are very interconnected and we will start with Javascript and then move to WebGL.

Note, I am not far enough along to have a real opinion about how well WebGL works, because I am spending all my time getting through the learning curve of getting a picture up on the screen. It shows promise, when things work it almost seems magical.

But when you first are learning WebGL you have to get through Javascript so we will start there.

Although Javascript is a little weird, it does grow on you, and there are clever even possibly reasonable solutions to various flaws in the language which, once you get used to their weird syntax, seem to be OK. For example, I am using a variation on the "module" pattern in Javascript and it seems to be working out for me in terms of hiding and keeping internal state of various parts of the program. Furthermore, javascript reminds me a bit of Lisp in its devil-may-care attitude to dynamic memory and its JSON equivalent of an S-Expression. Although initially dealing with Javascript is a problem, in time the problems fade into the background.

The problem is that learning Javascript is something of a pain in the ass, and for the following reasons:

1. Javascript has a specification and a bunch of tutorials, but no serious reference manual or best practices documentation. You are expected to get all that "out on the Internet". Ha.

2. The problem is that each of these tutorials is written by a different person with wildly different skill sets, styles and talent. They are not Kernighan and Ritchie. They are not comprehensive. They are occasionally helpful, they are more often then not incomplete or inaccurate. They are in no way a substitute for a good reference manual.

3. Each of these tutorials by helpful unpaid volunteers uses a different style, and a different set of support packages, all of which are completely incompatible with each other. There is no equivalent to "stdio" in Javascript. One person uses Ajax, another uses Jquery, still another uses something else. These different packages all seem to be useful, ad hoc, mutually incompatible and of wildly varying quality and utility.

4. Learning Javascript is usually intertwined with learning some combination of DOM and HTML, each of which exists in its own versions, varying implementations, and without documentation. Repeat problems of learning Javascript for each of these.

5. Unless you have someone with the knowledge and the time to guide you through this morass, you can count on a very frustrating period and a very time-inefficient process. Its nothing that anyone involved should be proud of. Just because they made a billion dollars at it, does not mean that they did a good job.

But the good news is that, so far at least, in conjunction with a nearly Lisp-like level of interactivity, one can pretty quickly get through the learning curve and onto whatever it is you wanted to do with the language.

But then you get to WebGL and you run into a series of problems which are very related to the ones just mentioned but with a few additional ones to make it all better. Not only is there no reference manual, nor anything close to minimally acceptable reference documentation (a specification is not a reference manual, by the way), but one more time we have the morass of internet tutorials that vary from useful to not, and each of them uses their own support packages for matrix operations and so forth.

But unlike Javascript, with WebGL and all modern graphics APIs, you have to do an awful lot correctly before you can put a cube on the screen. And if you do one of those 30 or 40 things incorrectly, then you will not see a cube on the screen. But each of those 30 or 40 things is badly documented since there is no reference manual, so you are reliant on Internet based tutorials which brings us full-circle on the discussion.

The only way I have found to proceed is to divide and conquer. Which is to work your way through the creation of a working program one module and WebGL call at a time, reverse engineer what the documentation should have been, and then move on.

That takes time.

I am not all that impressed, to tell you the truth.

So now it is a week or so since I wrote the above post.  And I think I was being a little harsh.  Once you get through the learning curve, and get a handle on what documentation that there is, one can become productive.  There are still unsolved riddles but I am able to move around them.   I think that the real problem here, however badly expressed, is one of incorrect expectations.  I expected things to be better, for us to go forward with the best, and not to have to deal with things that are no better designed or documented than what we had 20 years ago.   It is perhaps a let down that we have not come very far in certain ways and that is what I think I was expressing above, without knowing it.  As for the rest, Html, Dom, and even WebGL is fine, if a little weird now and then.

Global Wahrman Reorganization on 1st Anniversary

We plan to try different schemes to make individual posts on larger topics easier to find and perhaps even in a logical order.  This will take some time, and I probably have to try a lot of things before I find an approach that I like.  So there will be a fair amount of chaos here until it settles down.

Global Wahrman is one year old and I am very happy with parts of it.  But it is getting larger and harder to find things, or to know what is here.   It will take at least 5 years before I work through the backlog of topics, I think.

As you have noticed, posts come in several varieties here.  Although the trivial posts do not take very long to write, the more complicated ones are coming in at between 2 - 4 hours.  Some take more time than that.   I am not sure about the numbers but I would guess that for every post that is published, there is another post that did not get finished to my satisfaction and never posted.  It is the longer posts that are usually more interesting because more thought has gone into them and there is a topic behind them that I have usually thought about for a while.

The blog is very demanding, and it will be challenging to manage my time if and when I ever get busy in other parts of my life.

A Modest Solution to the Syrian Civil War and Related Regional Problems

When the domestic situation looks unsolvable it is a time honored solution to look to foreign policy as a way of distracting the locals from the government-created misery that is their life. Not only is this approach used successfully by governments, it can be used successfully by individuals to help avoid thinking and working on their own problems, a sort-of trickle down "distract the miserable" approach. Thus I have been putting considerable time into the Syria issue and whether we should start firing missiles at that part of the world.

The answer, I am happy to say is, No, we should not fire missiles. Nothing we do there will help the situation, anything that we do could have unforseen results. It is a no win situation for us. I am sorry that the Syrians and their neighbors are killing each other, and I am sorry that some of these people are assholes. But that is not a good enough reason to go to war.

But if you say we must do something, I have a proposal for you. I am sure that the small-minded scum in Washington will ignore my suggestion, but I am used to that. Pearls before Swine if you ask me.

If you want to help that region, forget about bombing Syria, ask yourself why is this region all fucked up (using the technical terms here, "fucked up"). What do the following countries have in common: Syria, Lebanon, Jordan, Saudi Arabia and Iraq? They were all created out of the former Ottoman Empire which is the country we now call Turkey. Turkey was also created at the end of WWI out of the former Ottoman Empire. This was all set up by the British and the French, mostly.

Since these countries clearly can not handle their affairs, I am referring to Syria, et alia, not England and France, and since this little British and French experiment in nation building is such a disaster, lets swallow our pride, and ask Turkey to come back, and manage the area for us. Forget about Syria, its just a province of the new Ottoman Empire, and better for it.

Bring back the Sublime Porte, the Grand Vizier, the Harem. All of it. I think that the world has given a good shot at letting the people of the region rule themselves, and they have proven to everyone how competent they are at it which is not very competent at all.

Lets admit our mistakes and bring back the Ottomans.

Furthermore, I predict that this will result in a massive increase in employment for certain technical people.  The Ottoman's were well known for the use of Unix, they had Unix everywhere, especially the Harem.

Perhaps the Harem is a problem for you, my sensitive, politically correct, white friend?  You might want to look into the role of women in the near east, first.  The Harem actually had quite a bit of power in the Ottoman empire.  More power than women have in politics in most of the contemporary Near East, I think.

Below we have a photograph of a classic Harem and concept art for a proposed anime-style modern Harem.

Also, the Ottoman's were quite stylish.  Check out the head gear, below.

Suleiman Himself

Map of the Ottoman Empire at its Largest

So in conclusion, by bringing back the Ottoman Empire to that part of the world, and getting rid of the current countries of Lebanon, Syria, Saudi Arabia, Iraq etc, we have a plan that will reduce violence, increase employment, elevate the role of women in their society, and add to sartorial elegance.  All of these things are good things, good for us and good for the region.

I hope you will support the campaign to restore the Ottoman Empire with your representatives in Washington.

Request for Information About the Origin of the .OBJ Format

I am looking for information on the origins of the .obj 3D object format.  By the time I had arrived at Robert Abel & Associates in 1980 or so, it was already in use for our vector production system which ran on E&S Picture System 2s.  

My question is where it came from originally.  I had thought that it was indigenous to Abel's, but several people have told me that it wasn't and that it originated with Evans & Sutherland.  This makes sense but I have not been able to confirm it.

The reason I am so interested is because I think I was instrumental in extending this horrible format into raster graphics.  Its a long story and I want to get all my facts straight first.

If you know, or know someone at E&S I can talk to, leave a comment here or email me.  Thanks.

Irresistable Videos on the Ancient Silk Road

In the world of archaeology, few topics are more interesting, controversial and entertaining than the whole combined issues of Indo European Language Dispersal and its dozens and dozens of mysteries and controversies.  You may not realize that you are living immersed in these mysteries, but you are, you are one of them.  You speak one (or more) of the languages that is at the heart of the mystery.

The Penn Museum had a seminar on some of these issues which had as speakers the superstars of this world: Colin Renfrew, J P Mallory, Victor Mair and so forth.

Its all online, which is wonderful.

Now you can waste another day or two of your life learning about this stuff.

See: http://www.youtube.com/watch?v=Z0HCs6PVnzI or all 10 seminars/talks at http://www.youtube.com/watch?v=QapUGZ0ObjA&list=PL286E934A56954D08

The Summer of SIGINT

The title of this post is a rip from a new blog I have been reading, the 20 Committee, which is written by a former NSA counterintelligence guy.

He has a lot of interesting things to say about Snowden, the NSA, Wikileaks, etc.  See his blog at
http://20committee.com.

I am pretty sure that recent events and disclosures do not mean what the Guardian and Snowden want you to think.    The question of the role of Wikileaks, which is not an innocent, activist, web site, looms larger.  The question of the probable moles in the intellilgence community signaled by the 10 illegals that were found in 2010 has not been answered. (For background on the illegals, see http://en.wikipedia.org/wiki/Illegals_Program).

I do think that big things are happening.   Are we in the opening stages of another war, or maybe its just a reminder that the intelligence war never went away.

Between the Canadian affair, the issue of the undiscovered moles, and Snowden's work for the Russians, it would appear that our intelligence community has been thoroughly penetrated.

Unfortunately, this is not a John LeCarre novel, this is real life, and I don't think there is any reason to think that the good guys necessarily have to win.

Philosophy and Shared Ideals in Computer Animation

[draft; being written; the following is at best a brief preamble to what I hope will be a major theme of this blog, which is a discussion of the history of ideas in computer animation]

Are there any ideas in computer animation?

Well, what a strange question to ask, of course there are ideas in computer animation.  For example, ray tracing, or radiosity, or antialiasing.   But that is not what I mean, exactly, although those are certainly good examples of ideas, or technologies, or inventions.

So idea is the wrong term or concept.     Maybe I am thinking of one of the other meanings of the word "philosophy".    "There are more things in heaven and hell, Horatio, than are dreamt of in your philosophy".    In this case I am referring to the underlying theory, the ideals, the shared beliefs, of the founders of a field, and whether those ideals and beliefs were vindicated, or corrupted, or forgotten or shown to be invalid or a mixed blessing or successful beyond their wildest dreams.

These beliefs might seem obvious to people today but were actually somewhat visionary when the field was being established.

Lets imagine what a shared ideal might be for another relatively recent field:  the field of modern aviation, or what was sometimes known as "powered flight".  One shared belief might be "Powered flight is possible and it will transform the world when it is invented".    Many, many people did not believe that powered flight was possible, and even if it was, they did not believe that it was practical, so this belief which may seem obvious to us, was certainly not obvious at the time.  Another example of a possible shared belief of many of the pioneers of aviation was "When powered flight is invented it will quickly obsolete all other forms of warfare".     This second belief, which was held by many of the early pioneers of flight, turned out to be more true than most people in the military believed, but less true than many of the pioneers had believed.  (See note 1)

So what would the shared ideals of the people who founded computer animation be?  What would it have been for the founders and inventors of the field, back when the field did not exist and most people did not believe that it was either possible or useful?

One of those beliefs might have been something as obvious as:  1. That we can create a formal written description of a scene (e.g. its objects, lights, materials) and translate that description into a 2D image (most images are 2D, traditionally speaking) that might appear 'real'.

Certainly that was a fundamental belief of the pioneers, so fundamental that it might never or rarely even been articulated.  Of course, I object that culturally-laden term 'real'.  "Reality is a useful measure of complexity", Alvy Ray Smith was alleged to have said, although he denies it.  Still, I personally think that many non-professionals, and far too many professionals as well, misunderstand and overemphasize this issue of apparent reality as we have argued on this blog.

Another shared ideal might be, 2. The use of a branch of mathematics, computational geometry, in conjunction with various 3D visualization techniques as well as modelling techniques of other types such as finite-element analysis, will prove to be a qualitatively important tool in architectural and mechanical design.

Or it might be, 3. the use of various visualization techniques when applied to concepts and ideas in sciences such as astronomy or particle physics will not only result in materials to help explain those ideas, but will assist in the further development of those ideas in their respective fields.

In other words, its not just that visualization helps to understand concepts in astrophysics such as galaxy collision, but will actually help scientists develop new ideas in their field (not just outreach but a tool of the fundamental research as well).

Or it might be, "4. the use of techniques such as 3D visualization and image processing, will result in a transformation of the cinematic production process and will lead to fundamentally new types of content in traditional media such as cinema, and that this new content will be culturally important" 

I am differentiating here between traditional narrative media and emerging interactive media because I think that they are very different things.

This is not an exhaustive list, at least I hope not, nor is it intended to be.  It is a list to help stimulate discussion and better refine what "shared ideals in computer animation" might be.

But if we do look at this list of 4 points, I would suggest to you that 1 and 2 are valid, that 3 has not occurred (e.g. visualization has not been recognized as contributing substantially to the research in those fields, although it is used for outreach), and that 4, that we would help to create new and interesting content in cinema is debatable even as our techniques have been used throughout the production process. 

Why debatable?  Because the bitter truth is that not all society recognizes or is willing to acknowledge the fundamental cultural importance of giant robots and superheroes/heroines in cinema.  It may indeed be a long time until Scooby Doo in 3D is acknowledged for its impact on the cinema, and on our society as well.

In other words, sure the use of computers in general and computer graphics in particular has changed movies, television, etc, but has it make it substantially better in terms of content?  Or make it worse?  How about just different ?     I think that it has been a mixed bag, actually. 

So what are the other ideals and shared beliefs, articulated or not, behind computer animation and computer graphics?

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1. The history of the origins of powered flight is deeply intertwined with the history of the transformation of warfare of the 20th century.   The Wright Brothers demonstrated powered flight in 1903 in a very early form.  By 1914, or a mere 11 years later, a much more advanced version of the airplane was already flying for the armed forces of all sides in Europe and the at least one of the sides in the Middle East.   Yet ultimately the belief of many early aviators, that all other forms of warfare would be replaced by the airplane, did not turn out to be true.   "Air Power" was important, it may or may not have been "decisive", but it was not the end of warfare as we knew it.  For a good history of this, see (insert reference for makers of modern strategy essay on "air power").